Billy May's 'Till There Was You' had a release date set for December 17, 1960. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Till There Was You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Girls And Boys On Broadway". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Till There Was You is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Till There Was You by Billy May having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An American in Paris | David Rose | E♭ Major | 2 | 5B | 91 BPM | ||
| Deje Mi Corazon en San Francisco | New York Sound's Orchestra | G Major | 3 | 9B | 101 BPM | ||
| Swingin' At the Ritz | Members Of The Glenn Miller Orchestra | A♭ Major | 2 | 4B | 173 BPM | ||
| 君を想いて | BBCビッグバンド | A Major | 1 | 11B | 73 BPM | ||
| There! I've Said It Again | The Ray Charles Singers | E Major | 5 | 12B | 86 BPM | ||
| Blue Moon | The Percy Faith Strings | G Major | 1 | 9B | 80 BPM | ||
| I Only Have Eyes for You - Instrumental | Hugo Winterhalter And His Orchestra | C Major | 2 | 8B | 82 BPM | ||
| Tenderly | Eddie Heywood | E♭ Major | 0 | 5B | 132 BPM | ||
| Violins in the Night | The Melachrino Strings and Orchestra | D Major | 4 | 10B | 111 BPM | ||
| Autumn Concerto - Single Version Remastered | Richard Hayman Orchestra | D♭ Major | 4 | 3B | 124 BPM | ||
| Solitude Avenue | SVÁNNE | E♭ Major | 2 | 5B | 91 BPM | ||
| Caroline, No | Hollyridge Strings | B♭ Minor | 4 | 3A | 79 BPM | ||
| Till There Was You | Billy May | E♭ Major | 2 | 5B | 92 BPM | ||
| Airport Love Theme | Alfred Newman | A♭ Minor | 1 | 1A | 78 BPM | ||
| Remembering Your Lips | Dr. Samuel J. Hoffman, Billy May | C Major | 2 | 8B | 103 BPM | ||
| The More I See You - Instrumental | Hugo Winterhalter And His Orchestra | E♭ Major | 2 | 5B | 79 BPM | ||
| C'est Magnifique - 1996 Digital Remaster / Instrumental | Nelson Riddle | C Major | 1 | 8B | 128 BPM | ||
| Moon River - Remastered | Henry Jerome | C Major | 4 | 8B | 136 BPM | ||
| Heartaches - Remastered | Kenny Ball | A♭ Major | 7 | 4B | 194 BPM | ||
| Across the Way | Johnny Halstead | E♭ Major | 2 | 5B | 91 BPM | ||
| Girl Talk | The Howard Roberts Quartet | F Major | 1 | 7B | 72 BPM | ||
| Stop, Look and Listen: Part I (Tommy Dorsey Version) | Billy May | G Major | 2 | 9B | 161 BPM | ||
| Laura | The Percy Faith Strings | A♭ Major | 2 | 4B | 177 BPM | ||
| Autumn Leaves | Ted Heath | C Minor | 2 | 5A | 127 BPM | ||
| Cheerful Little Earful - Instrumental | Hugo Winterhalter And His Orchestra | A♭ Major | 4 | 4B | 138 BPM |