Messiah, Pt. 1: 6. Air "But Who May Abide" by George Frideric Handel, Dunedin Consort, John Butt, Matthew Brook Song Details

George Frideric Handel, Dunedin Consort, John Butt, Matthew Brook's 'Messiah, Pt. 1: 6. Air "But Who May Abide"' had a release date set for November 1, 2006. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Dunedin Consort, John Butt's "Handel: Messiah (Dublin Version, 1742)" album is number 6 out of 57. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah, Pt. 1: 6. Air "But Who May Abide" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Messiah, Pt. 1: 6. Air "But Who May Abide" by George Frideric Handel, Dunedin Consort, John Butt, Matthew Brook to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -17.463 dB
Acousticness: 95%
Danceability: 27%
Energy: 15%
Instrumentalness: 0%
Liveness: 11%
Loudness: 71%
Speechiness: 4%
Valence: 26%

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