The Last Telegram's 'Rooms Without Names' had a release date set for December 28, 2025. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 5 in the song's album "The Unsent Light". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Austria. Rooms Without Names is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Rooms Without Names by The Last Telegram having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Sentence Fades | The Last Telegram | F Minor | 0 | 4A | 84 BPM | ||
| Night Café on Grodzka | Jens Jennings | A♭ Major | 1 | 4B | 107 BPM | ||
| Empty Street | Bossa Johnas | F Minor | 1 | 4A | 120 BPM | ||
| After the Count | Lars Hoeren | E♭ Major | 1 | 5B | 180 BPM | ||
| Call Luna | Julius Jackson | F Major | 1 | 7B | 67 BPM | ||
| Hull Descent | Pillar XIII | E♭ Major | 1 | 5B | 180 BPM | ||
| Sign in the Window | The Freesounders | E♭ Major | 1 | 5B | 180 BPM | ||
| Ash Ledger | Opal & Obsidian | E♭ Major | 1 | 5B | 180 BPM | ||
| Tomorrow, the Same Song | Pianobar Brothers | F♯ Minor | 2 | 11A | 123 BPM | ||
| Blue Cipher | The Indigo Affair | F Minor | 1 | 4A | 88 BPM | ||
| Line 5 Was Blank | The Last Telegram | F Minor | 2 | 4A | 119 BPM | ||
| Coming Storm | Elias Hartley | E♭ Major | 1 | 5B | 180 BPM | ||
| Opening the Door Gently | Miles Calder | E♭ Major | 1 | 5B | 180 BPM | ||
| Rooms Without Names | The Last Telegram | C Minor | 1 | 5A | 86 BPM | ||
| Bone Luster | Lucid Spiral | A♭ Minor | 2 | 1A | 127 BPM | ||
| Harbor Reprise | Croma Collective | B♭ Major | 2 | 6B | 146 BPM | ||
| Soft Cut Horizon | Amber & Ashes | E♭ Major | 1 | 5B | 180 BPM | ||
| Morning Ember | Jazzcapade | F Major | 3 | 7B | 145 BPM | ||
| The Message Flickered | The Last Telegram | G Major | 2 | 9B | 87 BPM | ||
| Sacred Ground | Dexter Moon | E♭ Major | 1 | 5B | 180 BPM | ||
| Tilted Axis | Mosaic Drift | E♭ Major | 1 | 5B | 180 BPM | ||
| After-Dinner Lights | Silk & Satin Jazz Collective | E♭ Major | 1 | 5B | 180 BPM | ||
| Mute Corner | Midnight Silhouettes | E♭ Major | 1 | 5B | 180 BPM | ||
| Twilight Geometry | Pawel David Group | B♭ Major | 2 | 6B | 79 BPM | ||
| Vale Sequence | Calypso Current | E♭ Major | 1 | 5B | 180 BPM |