Messiah, Pt. 3: 51. Duet "O Death Where Is Thy Sting" by George Frideric Handel, Dunedin Consort, John Butt, Nicholas Mulroy, Annie Gill Song Details

George Frideric Handel, Dunedin Consort, John Butt, Nicholas Mulroy, Annie Gill's ' "Messiah, Pt. 3: 51. Duet "O Death Where Is Thy Sting"" was released on its scheduled release date, November 1, 2006. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Dunedin Consort, John Butt's "Handel: Messiah (Dublin Version, 1742)" album is number 22 out of 57. On top of that, United Kingdom appears to be the country where this track was created. Messiah, Pt. 3: 51. Duet "O Death Where Is Thy Sting" is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

We consider the tempo marking of Messiah, Pt. 3: 51. Duet "O Death Where Is Thy Sting" by George Frideric Handel, Dunedin Consort, John Butt, Nicholas Mulroy, Annie Gill to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 8%
Loudness: -18.802 dB
Acousticness: 63%
Danceability: 45%
Energy: 20%
Instrumentalness: 0%
Liveness: 53%
Loudness: 69%
Speechiness: 6%
Valence: 60%

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