Gottfried Finger, Petr Wagner, Ensemble Tourbillon's ' "Aria et variationes in D Major" was released on its scheduled release date, January 1, 2013. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 18 in Finger: The complete music for viola da gamba solo by Gottfried Finger, Petr Wagner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Aria et variationes in D Major's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Aria et variationes in D Major by Gottfried Finger, Petr Wagner, Ensemble Tourbillon is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Sacred Head, Now Wounded (Harmonized by J.S. Bach) [Arr. C. Surrick for Lute & Viola da gamba] | Hans Leo Hassler, Ronn McFarlane, Carolyn Surrick | B Major | 0 | 1B | 109 BPM | ||
| Chaconne a 4 in G Major | Gottfried Finger, The Harmonious Society of Tickle-Fiddle Gentlemen, Robert Rawson | F♯ Major | 2 | 2B | 141 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
| Sonatae Violino Solo (1681): Sonata No. 2 in D | Heinrich Ignaz Franz von Biber, John Holloway | D♭ Minor | 3 | 12A | 124 BPM | ||
| Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
| Bibliothèque municipale de Tournus: Prélude in D Minor, Page 2 | Monsieur de Sainte-Colombe, Friederike Heumann | B♭ Minor | 0 | 3A | 97 BPM | ||
| Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
| Sonate concertate a due e tre voci, Book 1: No. 18, Sonata sopra "La novella" | Giuseppe Scarini, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 105 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| Viola da Gamba Sonata in A Major: I. Adagio | Gottfried Finger, Focus Baroque | A♭ Major | 0 | 4B | 87 BPM | ||
| Recorder Concerto in C Major, Op. 17, No. 1: 1. Gaiement | Jacques-Christoph Naudot, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | B Major | 2 | 1B | 113 BPM | ||
| Harp Consort No. 9 in D Major: Pavin on a them by Cormacke | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | ||
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. Adagio | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
| 27 Pieces for Viola da gamba: Tempo di minuet, WKO 200 | Carl Friedrich Abel, Petr Wagner | A♭ Major | 0 | 4B | 71 BPM | ||
| Sinfonia viggesima terza a due viole: I. Grave - Allegro - Corrente | Rocco Greco, I Mastricelli | D♭ Minor | 1 | 12A | 114 BPM | ||
| Sonata a 6 in D Major | Gottfried Finger, The Harmonious Society of Tickle-Fiddle Gentlemen, Robert Rawson | F♯ Major | 1 | 2B | 170 BPM | ||
| Pieces de Viole, Book 2, Suite No. 1: IV. Rondeau Le Monclot | Roland Marais, Petr Wagner, Ensemble Tourbillon | A Major | 1 | 11B | 113 BPM | ||
| The Earle of Essex Galiard | John Dowland, Nigel North, Les Voix Humaines | E Minor | 2 | 9A | 101 BPM | ||
| Sonata Seconda detta la Desperata | Carlo Farina, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 131 BPM | ||
| L’ombre d'un doute: II. La Messagère | Philippe Hersant, Lucile Boulanger | A♭ Major | 0 | 4B | 169 BPM | ||
| Sinfonia in D Minor, Fk. 65: I. Adagio | Wilhelm Friedemann Bach, Il Pomo D'oro, Francesco Corti | D♭ Minor | 0 | 12A | 86 BPM | ||
| Violin Sonata in G Minor: III. Adagio | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 0 | 11A | 88 BPM | ||
| The Mourning Bride: I. Overture | Gottfried Finger, The Harmonious Society of Tickle-Fiddle Gentlemen, Robert Rawson | A Minor | 2 | 8A | 127 BPM |