"Dot to Dot" by Rae Howell had its release date on August 31, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rae Howell's "Invisible Wilderness Volume II" album is number 8 out of 10. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Dot to Dot is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dot to Dot by Rae Howell to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heavy Feathers | Rae Howell | D Major | 1 | 10B | 95 BPM | ||
| Une Havanera très affaiblie I - ひどく衰弱したハバネラ I | Umitaro Abe | D Major | 0 | 10B | 67 BPM | ||
| Jenny | Nora Em | C Major | 1 | 8B | 109 BPM | ||
| A Farewell to St. Petersburg: X. The Lark - Arr. for Piano by Mily Balakirev | Mikhail Glinka, Fedor Veselov | D Major | 0 | 10B | 67 BPM | ||
| Apart - OA Version | Karl Lippert | D Major | 0 | 10B | 67 BPM | ||
| 青春 | Harumi Fuuki | E Major | 2 | 12B | 78 BPM | ||
| Dot to Dot | Rae Howell | A Minor | 1 | 8A | 115 BPM | ||
| World in the Glass | Claudio Scozzafava, Gilda Buttà | D Minor | 2 | 7A | 184 BPM | ||
| Inside the grief | Helen Mather | F♯ Major | 1 | 2B | 116 BPM | ||
| Why But Wait | Rae Howell | E Minor | 1 | 9A | 81 BPM | ||
| Cosán Casta | Aoife Ní Bhriain, Cormac McCarthy | D Major | 2 | 10B | 83 BPM | ||
| Autumn At Camlann | Laurence Manning | D Major | 0 | 10B | 67 BPM | ||
| Dreaming Of Camelot | Laurence Manning | D Major | 0 | 10B | 67 BPM | ||
| Symphonic Etudes, Op. 13: Variation V - Posth. | Robert Schumann, Paolo Ceccarini | D♭ Major | 2 | 3B | 143 BPM | ||
| Improv no. 1: Fantasia for '25 | David Tarrodi | D♭ Major | 1 | 3B | 66 BPM | ||
| Path of Dreams | Ghibli | G Minor | 2 | 6A | 134 BPM | ||
| petrichor | Sebastián Stupák | D Major | 0 | 10B | 143 BPM | ||
| Esperanza | Jorisu Kanzaki | C Major | 2 | 8B | 133 BPM | ||
| Rendez-vous | Rabelius | D Major | 0 | 10B | 67 BPM | ||
| Insecure or unsure | Helen Mather | F♯ Major | 1 | 2B | 116 BPM | ||
| Repetition | Pia Larey | G Minor | 3 | 6A | 77 BPM | ||
| Polish Nights | Szymon Kalinowski, Polish Power | D Major | 0 | 10B | 67 BPM | ||
| Discoveries, Episode 3 | Tomasz Trzcinski | D Major | 1 | 10B | 90 BPM | ||
| Silk satin | Melisander | D Major | 1 | 10B | 78 BPM | ||
| Lavande | Kokoro Shimizu | E Minor | 1 | 9A | 168 BPM |