"I Should Care" by Marc Ribot had its release date on January 1, 1990. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Rootless Cosmopolitans". In this album, this song's track order is #1. Based on our statistics, I Should Care's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With I Should Care by Marc Ribot having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Child of a Blind Man | Hazmat Modine | B Minor | 5 | 10A | 112 BPM | ||
| It Calls Me | Hazmat Modine | D Major | 4 | 10B | 168 BPM | ||
| Haitian Suite: Coumbite (Merci Bon Dieu) | Frantz Casseus, Marc Ribot | E Minor | 1 | 9A | 119 BPM | ||
| Corrido Por Buddy | Jolie Holland, Marc Ribot | C Major | 7 | 8B | 116 BPM | ||
| Forever Night Shade Mary | Latin Playboys | D Major | 1 | 10B | 126 BPM | ||
| Origin of Man | The Budos Band | F♯ Major | 6 | 2B | 115 BPM | ||
| Goodbye Pork Pie Hat - (with audience) | Pentangle | D Major | 2 | 10B | 100 BPM | ||
| Chaconne No 2 | Otto von Bismarck | B♭ Major | 3 | 6B | 96 BPM | ||
| Was It There | Myriam Alter | A♭ Major | 4 | 4B | 108 BPM | ||
| Defiant | Charles Lloyd | A♭ Major | 2 | 4B | 84 BPM | ||
| Lonn | Lund Quartet | D♭ Major | 3 | 3B | 76 BPM | ||
| Interrupted | Lambchop | F Minor | 2 | 4A | 109 BPM | ||
| Boubacar | Savana Funk | F Minor | 3 | 4A | 110 BPM | ||
| Korokoro | Henri Texier, Aldo Romano, Louis Sclavis | E Minor | 3 | 9A | 122 BPM | ||
| Rara | Frantz Casseus, Marc Ribot | D Major | 1 | 10B | 151 BPM | ||
| Will Soon Be a Woman | Ibrahim Maalouf | E Minor | 4 | 9A | 67 BPM | ||
| Singin' the Blues | Allen Toussaint | E♭ Major | 3 | 5B | 102 BPM | ||
| Ramy | Jan Garbarek, Anouar Brahem, Ustad Shaukat Hussain | A♭ Major | 1 | 4B | 87 BPM | ||
| Whistman's Wood | John Surman | A Minor | 2 | 8A | 88 BPM | ||
| Inside the Acorn | Maisha | D♭ Major | 4 | 3B | 91 BPM | ||
| Tidhar | The Touré-Raichel Collective, Idan Raichel, Vieux Farka Touré | A♭ Minor | 8 | 1A | 132 BPM | ||
| Tuesday Night In Memphis | John Lurie | C Minor | 1 | 5A | 83 BPM | ||
| El Principio del Final | Sara Valenzuela, Marc Ribot, Steven Bernstein, Thomas Bartlett | A Major | 4 | 11B | 122 BPM | ||
| Dejar Entrar | Sara Valenzuela, Marc Ribot, Melvin Gibbs, Thomas Bartlett, Dougie Bowne | E Minor | 9 | 9A | 81 BPM | ||
| Tomorrow Never Knows - 2024 Remastered Version | Junior Parker | C Major | 0 | 8B | 79 BPM |