John Lurie's 'Tuesday Night In Memphis' had a release date set for August 30, 1994. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Tuesday Night In Memphis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Lurie's "Mystery Train (Original Motion Picture Soundtrack)" album is number 16 out of 16. On top of that, United States appears to be the country where this track was created. Tuesday Night In Memphis is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Tuesday Night In Memphis by John Lurie to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phantom Of The Panther | Mulatu Astatke, The Heliocentrics | E Minor | 8 | 9A | 153 BPM | ||
| The O of Adore | Tom Verlaine | D♭ Major | 1 | 3B | 139 BPM | ||
| Great Depression Blues | Robbie Basho | C Minor | 2 | 5A | 121 BPM | ||
| Dod24 | Dictaphone | D Major | 3 | 10B | 180 BPM | ||
| Aurora En Pekin | Marc Ribot, Los Cubanos | D Minor | 1 | 7A | 88 BPM | ||
| Isla (The Sapphic Sleep) | Alejandro Jodorowsky | E♭ Minor | 2 | 2A | 72 BPM | ||
| M - Music I - Inside C - Curved E-Entrances | Terry Riley | F♯ Minor | 6 | 11A | 100 BPM | ||
| Kadia Blues | Orchestre de la Paillote | A Minor | 3 | 8A | 128 BPM | ||
| Marion | Woo | F♯ Minor | 2 | 11A | 148 BPM | ||
| Heywèté | Tesfa-maryam Kidane | D♭ Major | 2 | 3B | 181 BPM | ||
| Tuesday Night In Memphis | John Lurie | C Minor | 1 | 5A | 83 BPM | ||
| Raging Skies | Patoche Sec | A Minor | 1 | 8A | 110 BPM | ||
| Evening Colours | Laurence Vanay | C Minor | 2 | 5A | 110 BPM | ||
| Parasol blanc, pt. 1 | Hadouk Trio | A Minor | 1 | 8A | 105 BPM | ||
| The Girl Of Her Dreams | Vincent Gallo | A♭ Minor | 2 | 1A | 94 BPM | ||
| New York Mood (New Haircut and a Busted Lip) - Instrumental | Tom Waits | A Minor | 0 | 8A | 122 BPM | ||
| Instrumental Round (Double Bass Duo) (Original Mix) | Moondog | A Minor | 6 | 8A | 98 BPM | ||
| Őskígyó - From "Őszi Almanach" | Víg Mihály | G Major | 3 | 9B | 143 BPM | ||
| Why Do I Still Sleep | Popol Vuh | D Minor | 0 | 7A | 69 BPM | ||
| Thème de Catherine | Pierre Henry | C Minor | 0 | 5A | 209 BPM | ||
| Lengyelország - From "Őszi Almanach" | Víg Mihály | B♭ Major | 2 | 6B | 143 BPM | ||
| Black Rest | The Cosmic Tones Research Trio, Roman Norfleet, Harlan Silverman, Kennedy Verrett | F Major | 1 | 7B | 80 BPM | ||
| De Blonck | The Chitinous Ensemble | A Minor | 3 | 8A | 92 BPM | ||
| Voice of Chunk | The Lounge Lizards | A Minor | 6 | 8A | 136 BPM | ||
| Toucan Ocean | Jon Hassell | G Minor | 4 | 6A | 96 BPM |