Claude Le Jeune, Julyo's ' "Revecy" was released on its scheduled release date, August 19, 2019. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 63 in the song's album "Time Machine: The Renaissance". In this album, this song's track order is #35. Furthermore, we believe that the track originated from United States. In terms of popularity, Revecy is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Revecy by Claude Le Jeune, Julyo having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Perdre le sens devant vous (Le Printemps XIX) | Claude Le Jeune, Ensemble Gilles Binchois, Dominique Vellard | F Major | 1 | 7B | 78 BPM | ||
| Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
| Lassus: Ave Regina caelorum | Orlande de Lassus, Peter Phillips, The Tallis Scholars | F♯ Major | 1 | 2B | 68 BPM | ||
| Messe de Minuit, H. 9: Sanctus | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Jordan Mouaïssia, Etienne Bazola | C Major | 2 | 8B | 94 BPM | ||
| The Lord's prayer | Ars Poliphonica | F Major | 0 | 7B | 141 BPM | ||
| Costeley: Musique: No. 48, Quand le berger vit la bergère | Guillaume Costeley, A Sei Voci | F Major | 0 | 7B | 141 BPM | ||
| Mes yeus ne cesseront i' point (Le Printemps XV) [Instrumental version] | Claude Le Jeune, Ensemble Gilles Binchois, Dominique Vellard | B♭ Minor | 1 | 3A | 171 BPM | ||
| Kaiserrequiem: V. Sanctus - Beneditus - Hosanna | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | E♭ Major | 1 | 5B | 107 BPM | ||
| Historia di Jephte: VIII. Plorate colles | Giacomo Carissimi, Voces Suaves, Michele Vannelli, Mirjam Wernli | F Major | 0 | 7B | 141 BPM | ||
| Couperin, L: Suite en fa: IV. Sarabande, G. 74 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
| Sonata à 6, doi violini e quattro tromboni | Giovanni Battista Buonamente, Musica Fiata, Roland Wilson | G Major | 1 | 9B | 97 BPM | ||
| Concerto: Pulchra es | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | G Major | 1 | 9B | 70 BPM | ||
| Clemens non Papa: Frais et gaillart | Jacob Clemens non Papa, Michel Corboz, Ensemble Vocal de Lausanne | D♭ Major | 2 | 3B | 128 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIg. Magnificat "Deposuit potentes de sede" | Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent | B♭ Minor | 0 | 3A | 106 BPM | ||
| Brunelette, joliette (Le Printemps IX) | Claude Le Jeune, Ensemble Gilles Binchois, Dominique Vellard | E♭ Minor | 1 | 2A | 172 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Sing me to heaven | Ars Poliphonica | F Major | 0 | 7B | 141 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| Un gentil amoureux | Claude Le Jeune, Capella De La Torre, Margaret Hunter, Katharina Bauml | F Major | 1 | 7B | 143 BPM | ||
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| Trattenimenti per camera, Op. 22: Ballo delle Ombre | Maurizio Cazzati, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| J'ayme trop mieux souffrir la mort | Guillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent Dumestre | C Major | 0 | 8B | 80 BPM |