"O Rex gloriae, a 8" by Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings had its release date on March 30, 2016. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. O Rex gloriae, a 8's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivanco: Sancti et Justi (Motecta, 1610) by Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings. The song's track number on the album is #1 out of 19 tracks. In terms of popularity, O Rex gloriae, a 8 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since O Rex gloriae, a 8 by Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With O Rex gloriae, a 8 being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
| For His Majesty's Sagbutts and Cornetts: I. Almand | Matthew Locke, Oltremontano, Wim Becu | E♭ Minor | 1 | 2A | 75 BPM | ||
| Domine quando veneris | Jacob Clemens non Papa, Capilla Flamenca | E Minor | 2 | 9A | 127 BPM | ||
| Kaiserrequiem: VII. Communio (Lux aeterna) | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | C Minor | 1 | 5A | 67 BPM | ||
| Hélas, Madame | Henry VIII, Katelijne Van Laethem, Jan Caals, Flanders Recorder Quartet, Capilla Flamenca, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine, Philippe Malfeyt | F♯ Major | 1 | 2B | 70 BPM | ||
| Tota pulchra es à 4 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón, Caroline Weynants, Lieselot De Wilde, Miguel Bernal, Matteo Bellotto | B♭ Major | 1 | 6B | 107 BPM | ||
| Hic est discipulus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Guerrero: Ambulans Iesus | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 1 | 1A | 130 BPM | ||
| Sacrae symphoniae (1597): Sonata pian e forte a 8 | Giovanni Gabrieli, Oltremontano, Wim Becu | A♭ Major | 2 | 4B | 74 BPM | ||
| Il primo libro delle canzoni: No. 7, Canzona settima, detta la Superba, F 8.08a | Girolamo Frescobaldi, Oltremontano, Wim Becu | A♭ Major | 1 | 4B | 71 BPM | ||
| Par mantes foys | Jehan Vaillant, La Reverdie | A Minor | 1 | 8A | 121 BPM | ||
| Sheppard: Laudem dicite - 1. Laudem dicite Deo nostro | John Sheppard, The Tallis Scholars, Peter Phillips | D♭ Major | 2 | 3B | 87 BPM | ||
| Brumel: Missa Et Ecce Terrae Motus - 04. Gloria in Excelsis Deo | The Tallis Scholars, Peter Phillips | F Major | 1 | 7B | 176 BPM | ||
| Ave Maria | Johannes Brassart, Capilla Flamenca, Dirk Snellings | B Major | 1 | 1B | 110 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Pastyme with good company: Pastime with good company | Henry VIII, Capilla Flamenca | C Major | 2 | 8B | 66 BPM | ||
| Sheppard: Missa Cantate - 1h. Quoniam tu solus sanctus | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 87 BPM | ||
| Passion Week, Op. 13: VII. The Noble Joseph | Maximilian Steinberg, Cappella Romana, Alexander Lingas | A Minor | 0 | 8A | 74 BPM | ||
| Sacrae symphoniae (1597): Canzon in echo duodecimi toni a 10 | Giovanni Gabrieli, Oltremontano, Wim Becu | A♭ Major | 2 | 4B | 74 BPM | ||
| Een vroylic wesen | Jacobus Barbireau, Capilla Flamenca | G Minor | 2 | 6A | 75 BPM | ||
| D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
| Tierkreis: II. Fische - Pisces (Jupiter, Neptunus) - VRT Muziek Edition | Karlheinz Stockhausen, Het Collectief, Capilla Flamenca | B Minor | 0 | 10A | 129 BPM | ||
| I. Surge propera amica mea | Ivan Moody, New York Polyphony | E♭ Major | 0 | 5B | 77 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM |