"String Octet in C Major, Op. 7 (Version for String Orchestra): Premier Mouvement" by George Enescu, Tabea Zimmermann, Ensemble Resonanz had its release date on November 7, 2025. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. String Octet in C Major, Op. 7 (Version for String Orchestra): Premier Mouvement's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in Enescu: String Octet, Op. 7 – Britten: Lachrymae, Op. 48a (Versions for string orchestra) by Tabea Zimmermann, Ensemble Resonanz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. String Octet in C Major, Op. 7 (Version for String Orchestra): Premier Mouvement is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Octet in C Major, Op. 7 (Version for String Orchestra): Premier Mouvement by George Enescu, Tabea Zimmermann, Ensemble Resonanz is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in B-Flat Major, Hob. I:102: IV. Finale. Presto | Joseph Haydn, Ádám Fischer, Österreichisch-Ungarische Haydn Philharmonie | D♭ Major | 1 | 3B | 110 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| String Quartet No. 15 in A Minor, Op. 132: I. Assai sostenuto - Allegro | Ludwig van Beethoven, Tetzlaff Quartet | F Major | 1 | 7B | 134 BPM | ||
| String Quartet in E-Flat Major, Op. 12: II. Canzonetta. Allegretto | Felix Mendelssohn, Leipziger Streichquartett | D♭ Major | 1 | 3B | 110 BPM | ||
| Prokofiev: String Quartet No. 2, Op. 92: II. Adagio | Sergei Prokofiev, Quartetto Italiano | D♭ Major | 1 | 3B | 110 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| Regrets in G-Flat Major | George Enescu, Raluca Stirbat | D Minor | 1 | 7A | 130 BPM | ||
| Overture: Overture | Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo | B Major | 0 | 1B | 112 BPM | ||
| Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Heather Schmidt | B Minor | 3 | 10A | 87 BPM | ||
| 4 Klavierstücke, Op. 119: No. 1, Intermezzo in B Minor | Johannes Brahms, Stephen Hough | E♭ Major | 1 | 5B | 125 BPM | ||
| Moments musicaux, D. 780: No. 3 in F Minor (Arr. Godowsky) | Franz Schubert, Rian De Waal | F♯ Minor | 0 | 11A | 178 BPM | ||
| Adriana Lecouvreur, Act 2: Intermezzo | Francesco Cilea, Opera Australia Orchestra, Andrea Molino | F Major | 0 | 7B | 124 BPM | ||
| Kodály: Intermezzo for String Trio | Zoltán Kodály, Domus | D Minor | 1 | 7A | 88 BPM | ||
| Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Sussex Landscape: II. Lento e molto tranquillo | Avril Coleridge-Taylor, BBC Philharmonic Orchestra, John Andrews | B♭ Major | 0 | 6B | 74 BPM | ||
| Jūra, MKČ 102: III. Development | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| Piano Sonata No. 1 in F Minor, Op. 6: III. Presto | Julius Asal, Alexander Scriabin | B Minor | 0 | 10A | 69 BPM | ||
| Piano Quartet No. 1 in C Minor, Op. 15: IV. Finale (Allegro molto) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Mendelssohn: String Octet in E-Flat Major, Op. 20, MWV R20: IV. Presto | Felix Mendelssohn, Quatuor Ébène, Belcea Quartet | D♭ Major | 1 | 3B | 110 BPM | ||
| Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM | ||
| Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
| Diagram and Projection: IV. Palette | Alessio Santolini Raggi | D♭ Major | 1 | 3B | 110 BPM | ||
| Myrthen, Op. 25: No. 1, Widmung (Arr. for Clarinet and Piano by R. Sévère) | Robert Schumann, Raphaël Sévère, Adam Laloum | A♭ Major | 0 | 4B | 74 BPM | ||
| Cello Sonata No. 1 in D Major, Op. 18 (1852): I. Allegro Moderato | Anton Rubinstein, Matilda Colliard, Stefano Ligoratti | D Major | 3 | 10B | 124 BPM |