Andres Martin, Ramon Amezcua's ' "Hallucinations" was released on its scheduled release date, 2011. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Hallucinations's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andres Martin's "Juan Soldado Suite" album is number 2 out of 4. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Hallucinations is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hallucinations by Andres Martin, Ramon Amezcua to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trois pièces pour violoncelle et piano: No. 2, Sans vitesse et à l'aise | Nadia Boulanger, Lidy Blijdorp, Tobias Borsboom | D Major | 1 | 10B | 161 BPM | ||
| Le triomphe de Bacchus, L. 38, CD 33: I. Divertissement. Allegro (Version for Piano 4 Hands) | Claude Debussy, Genova and Dimitrov Piano Duo | D Major | 1 | 10B | 161 BPM | ||
| Meditations for String Quartet: V. — | Koben Sprengers, Ma'at Ensemble | C Minor | 1 | 5A | 178 BPM | ||
| Sonata No. 5 in E Minor, RV 40: IV. Allegro | Ashima Scripp, Eleanor Perrone | E Minor | 2 | 9A | 117 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| Andante et Allegro pour violoncelle et piano in E Major: I. Andante | Reynaldo Hahn, Dania Tchalik, Marc Tchalik | D Major | 1 | 10B | 161 BPM | ||
| Linterna mágica, Op. 101: II. El Misterio del Jardín | Joaquín Turina, Jordi Masó | E Major | 0 | 12B | 77 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| 7 Variations on Bei Männern, welche Liebe fühlen, WoO 46: Variation 6 | Ludwig van Beethoven, Simon Velthuis | D Major | 1 | 10B | 161 BPM | ||
| Homenagem a Sinhô | Fructuoso Vianna, Cristian Budu | G Major | 3 | 9B | 107 BPM | ||
| Suite No. 4 in E-Flat Major, BWV 2010 (Arr. for Viola by Marc Sabbah): I. Prélude | Johann Sebastian Bach, Marc Sabbah | D Major | 1 | 10B | 161 BPM | ||
| Ciudadano Sombra: II. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Variations on a Rococo Theme, Op. 33: Var. 4 - Andante grazioso | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Nash Ensemble | D Major | 0 | 10B | 66 BPM | ||
| Piano Trio No. 1 in D minor, Op. 32: 2. Scherzo: Allegro molto | Anton Arensky, Beaux Arts Trio | F Major | 2 | 7B | 86 BPM | ||
| Tiny Paws | VITMAY | D Major | 1 | 10B | 161 BPM | ||
| Quedandose Dormido - Sueños Suite | Andres Martin, Mariana Airaudo | B Major | 0 | 1B | 106 BPM | ||
| Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 5, Der Lindenbaum | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | D Major | 1 | 10B | 71 BPM | ||
| Bartók: Violin Concerto No. 1, Sz. 36: I. Andante sostenuto | Béla Bartók, Vilde Frang, Mikko Franck, Orchestre de Radio France | D Major | 1 | 10B | 84 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. Goss for Violin, Guitar, Accordion & Cello): II. Lento assai – En vain pour éviter | Pablo de Sarasate, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| 6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor | Anton Rubinstein, Martin Cousin | A♭ Major | 0 | 4B | 70 BPM | ||
| Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: II. Andante | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | D Major | 1 | 10B | 98 BPM | ||
| Fantasía Chalumeau | Gabriel Andrés Gallegos | B♭ Major | 0 | 6B | 80 BPM | ||
| Maré de Sizígia | Matheus Araujo, The Unpredictable | D Minor | 0 | 7A | 79 BPM |