Meher Angez Hunzai's ' "Har Chand" was released on its scheduled release date, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Meher Angez Hunzai's "Girya 97" album is number 3 out of 9. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Har Chand is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Har Chand by Meher Angez Hunzai to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wat Wati Jende Sezawaren Dila Chun Kane | Minhaj Mukhtar | A♭ Major | 6 | 4B | 92 BPM | ||
| من آمده ام به دیدنت ای جانانه | Gul Mohammad Nazari | A Minor | 8 | 8A | 84 BPM | ||
| Saghar | Haider Salim | B♭ Minor | 8 | 3A | 114 BPM | ||
| Pakhtoon Pa K Barbaad Sho Pakhtoon Pa K | Abdullah Muqri | E Major | 3 | 12B | 123 BPM | ||
| Kanifnathacha Kaval Bhakticha | Shivaji Tupvihare | A Major | 4 | 11B | 114 BPM | ||
| بيا دې په زلفانو کې - Bia Da Pa Zalfano Ke | Aesthetic Pashto Song 2025 | ستا جانان | D♭ Major | 6 | 3B | 138 BPM | ||
| Dokhtari Farkhar | Mir Maftoon | G Major | 7 | 9B | 107 BPM | ||
| Lape Lape | Javed Amirkhil | F Major | 9 | 7B | 138 BPM | ||
| Om Shri Radhayai Namah | Premanand Maharaj, Pure Bhakti Melody | A♭ Minor | 8 | 1A | 101 BPM | ||
| Kede Katari | Devalben Gadhvi | E♭ Major | 6 | 5B | 168 BPM | ||
| Maa Gujri Tere Chan Warga | Bhai Ranjit Singh Dhadrianwale | G Major | 7 | 9B | 94 BPM | ||
| Jill mani | Mann Studio | B Major | 5 | 1B | 110 BPM | ||
| Ujjaini Ra Veer Helo Sambhalo | Usha Goswami | E♭ Minor | 8 | 2A | 65 BPM | ||
| Ajeeba Qanoon Dey Sta Da Kali | Javed Amirkhil | D♭ Minor | 7 | 12A | 97 BPM | ||
| Raaga Charukeshi Composition in Drut Teentaal | Imran Khan | D Major | 6 | 10B | 113 BPM | ||
| Benam Rako | Ustad Sarahang | E♭ Minor | 7 | 2A | 81 BPM | ||
| Apum | Mann Studio | E Major | 6 | 12B | 190 BPM | ||
| Hasbi Rabbi | Baby Najnin | F Minor | 2 | 4A | 123 BPM | ||
| Kalki Stuthi 6 | V. Ramakrishna | G Major | 4 | 9B | 104 BPM | ||
| Chamunda Maa Na Duha Chhand | Isardan Gadhavi | F Minor | 7 | 4A | 101 BPM | ||
| Ay Sarban | Ahmad Zahir | F Minor | 4 | 4A | 131 BPM | ||
| Dekho Dekho Mujhe Chhor Na Dena | Riya Raj | B Minor | 7 | 10A | 194 BPM | ||
| Aavahan | Dhaval Kumar | D Major | 4 | 10B | 63 BPM | ||
| Wara Injilay | Ijaz Ufaq | F Major | 4 | 7B | 72 BPM | ||
| Jayesh Kharvada Ni Boom | Jayesh Kharvada | A Major | 8 | 11B | 141 BPM |