A Silent Express's ' "Come Baby Come" was released on its scheduled release date, November 5, 2010. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Now!". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Come Baby Come is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Come Baby Come by A Silent Express having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Why Do You Do It To Me? | Kaiser Chiefs | B Major | 9 | 1B | 136 BPM | ||
| Stop the Madness | The Poesers | G Minor | 8 | 6A | 133 BPM | ||
| Days | Tim Knol | D Major | 5 | 10B | 130 BPM | ||
| Brilliant Sky | Saybia | F Major | 8 | 7B | 119 BPM | ||
| Kill For A Broken Heart | Ben Saunders | E Major | 8 | 12B | 184 BPM | ||
| I'm Not Made of Eyes | General Fiasco | D♭ Major | 7 | 3B | 144 BPM | ||
| What You Want | Moss | B♭ Major | 9 | 6B | 81 BPM | ||
| Tomorrow | Staff Brett | A Major | 9 | 11B | 129 BPM | ||
| This Is What Becomes of the Brokenhearted | Maximo Park | E♭ Major | 8 | 5B | 149 BPM | ||
| The Chase | DI-RECT | B♭ Major | 9 | 6B | 140 BPM | ||
| Keep Forgetting | The Cinematics | D Minor | 9 | 7A | 145 BPM | ||
| New Times Have Come | A Silent Express | C Major | 7 | 8B | 96 BPM | ||
| The Whale | Sue the Night | F♯ Minor | 9 | 11A | 164 BPM | ||
| The Rush of Life | VanVelzen | F Major | 5 | 7B | 143 BPM | ||
| Elasticity | Royworld | F♯ Major | 9 | 2B | 133 BPM | ||
| Are You Afraid? | Rooney | E Minor | 8 | 9A | 131 BPM | ||
| Last Chance | Moke | E Major | 8 | 12B | 143 BPM | ||
| Headlights | Morning Parade | D Major | 9 | 10B | 140 BPM | ||
| Northern Sky | Mister and Mississippi | D Major | 4 | 10B | 87 BPM | ||
| Why Do You Run | Arid | B Minor | 8 | 10A | 101 BPM | ||
| Burn | VanVelzen | F Major | 5 | 7B | 143 BPM | ||
| The World of Tomorrow | Coparck | E Major | 5 | 12B | 80 BPM | ||
| A Ton of Love | Editors | G Major | 10 | 9B | 142 BPM | ||
| Feel Like Flying | Racoon | F♯ Major | 7 | 2B | 98 BPM | ||
| Atx | Alberta Cross | A Minor | 10 | 8A | 99 BPM |