On October 6, 2015, the song "Coming to a Deli Near You (Title Screen)" was released by Ridiculon. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Songs in the Key of Meat: Music from Super Meat Boy 5th Anniversary". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Coming to a Deli Near You (Title Screen)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Coming to a Deli Near You (Title Screen) by Ridiculon having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The End of Doom | Andrey Avkhimovich | E Minor | 7 | 9A | 123 BPM | ||
| Attack of the Glyphids | Sophus Alf, Troels Rohde Jørgensen | D♭ Major | 8 | 3B | 165 BPM | ||
| Escalation, Pt. 1 | Spencer Baggett | A♭ Major | 7 | 4B | 156 BPM | ||
| Höllenmörder | Duv, Quad Kanix, wintiesnowflake, Goose | D♭ Minor | 9 | 12A | 142 BPM | ||
| Clean Getaway | Simon Viklund | A Major | 9 | 11B | 105 BPM | ||
| Ashes to Ashes, Dusk to Dusk | Andrew Hulshult | F Minor | 6 | 4A | 160 BPM | ||
| Lament of the Angel | Danny Baranowsky | D Minor | 2 | 7A | 126 BPM | ||
| Human Ingenuity | zerohpoint | C Minor | 2 | 5A | 112 BPM | ||
| The Step Below Hell | DM DOKURO | A♭ Major | 5 | 4B | 85 BPM | ||
| Nosk | Christopher Larkin | F Minor | 8 | 4A | 140 BPM | ||
| More Gun | Valve Studio Orchestra | F Major | 4 | 7B | 172 BPM | ||
| Vs. Susie | Toby Fox | A♭ Minor | 8 | 1A | 148 BPM | ||
| The Spheres | Harry Callaghan | B♭ Major | 4 | 6B | 127 BPM | ||
| Opera de Ossium (Synth) [feat. Hadrian McQuaig] | Michael Wyckoff, Hadrian McQuaig | E♭ Major | 3 | 5B | 102 BPM | ||
| Empress of Light | Scott Lloyd Shelly, Re-Logic | D♭ Major | 9 | 3B | 165 BPM | ||
| The Grimm Troupe | Christopher Larkin | D Minor | 7 | 7A | 140 BPM | ||
| Overclocked Weakness | Sound Of Syndrome | A♭ Major | 3 | 4B | 71 BPM | ||
| The Temple of Beasts | Jonah Senzel | C Major | 2 | 8B | 65 BPM | ||
| Rotten Legacy (Final Boss) | Tettix | D♭ Major | 7 | 3B | 80 BPM | ||
| Bumbogenesis | Ridiculon | F Major | 9 | 7B | 156 BPM | ||
| Title Screen | Re-Logic | G Major | 2 | 9B | 100 BPM | ||
| Swallowing the Sea | Publio Delgado | D Major | 2 | 10B | 123 BPM | ||
| Paradox (From BPM: Bullets Per Minute) | Sam Houghton, Joe Collinson | C Major | 9 | 8B | 88 BPM | ||
| There She Is | Aperture Science Psychoacoustic Laboratories | D Major | 8 | 10B | 90 BPM | ||
| Narwhal | A Shell In The Pit | E Minor | 4 | 9A | 180 BPM |