"The Spheres" by Harry Callaghan had its release date on June 9, 2015. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 40 in the song's album "Portal Stories: Mel (Original Soundtrack)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, The Spheres's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Spheres by Harry Callaghan having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Inside the Conductor's Tape | Infinity Train | D♭ Major | 3 | 3B | 120 BPM | ||
| The Hollow Howl | Doseone | D♭ Minor | 10 | 12A | 132 BPM | ||
| Dapper Cadaver | Valve Studio Orchestra | G Minor | 5 | 6A | 100 BPM | ||
| Northern Forest | Dream Thing | F♯ Minor | 2 | 11A | 180 BPM | ||
| Arrival | Harry Callaghan | G Major | 1 | 9B | 84 BPM | ||
| A Morning Wish | Emile van Krieken | E♭ Major | 8 | 5B | 124 BPM | ||
| Komplementar Remaster | Jared Poolaw | D Minor | 1 | 7A | 118 BPM | ||
| Welcome to the Future | Harry Callaghan | E Major | 5 | 12B | 150 BPM | ||
| Rotten Legacy (Final Boss) | Tettix | D♭ Major | 7 | 3B | 80 BPM | ||
| Storm | Scott Lloyd Shelly, Re-Logic | D♭ Major | 5 | 3B | 120 BPM | ||
| All the Bombs | Epic Mountain | E Minor | 6 | 9A | 101 BPM | ||
| The Temple of Beasts | Jonah Senzel | C Major | 2 | 8B | 65 BPM | ||
| Ash - Bonus Track | Stephen Barton | F Major | 5 | 7B | 92 BPM | ||
| Gameplay 1 | Rutger Zuydervelt | C Major | 0 | 8B | 140 BPM | ||
| Confrontation | Spencer Baggett | D♭ Major | 9 | 3B | 120 BPM | ||
| Exploration 5 | Rutger Zuydervelt | C Major | 4 | 8B | 120 BPM | ||
| Scalp Ya Later | Jonah Senzel | D♭ Major | 4 | 3B | 120 BPM | ||
| Jelly | Kyle Gabler | D♭ Minor | 5 | 12A | 75 BPM | ||
| Tropical Eden | Simon Chylinski | D Major | 2 | 10B | 145 BPM | ||
| Transitional Period | Harry Callaghan | A Major | 5 | 11B | 150 BPM | ||
| Overgrowth | Aperture Science Psychoacoustic Laboratories | D Major | 8 | 10B | 90 BPM | ||
| Human Elements | Mick Gordon | D Minor | 5 | 7A | 123 BPM | ||
| Fighting off the Invasion | Jeff Broadbent, Re-Logic | D♭ Major | 8 | 3B | 145 BPM | ||
| Through a Cloud, Darkly | Chris Christodoulou | A Minor | 1 | 8A | 120 BPM | ||
| Rogue Planets | Epic Mountain | G Minor | 4 | 6A | 120 BPM |