"White Haired Woman" by Ricky Ian Gordon, Clare Gormley, Kevin Murphy had its release date on 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Where Morning Lies - Spiritual Songs by Kevin Murphy, Clare Gormley. The song's track number on the album is #2 out of 24 tracks. Based on our data, Australia was the country where this track was produced or recorded. White Haired Woman is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since White Haired Woman by Ricky Ian Gordon, Clare Gormley, Kevin Murphy has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With White Haired Woman being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ma rendi pur contento | Vincenzo Bellini, Cecilia Bartoli, Jean-Yves Thibaudet | A♭ Major | 1 | 4B | 108 BPM | ||
| Gliding | Peter Friedman | F Major | 1 | 7B | 81 BPM | ||
| Sauguet: Berceuse créole | Henri Sauguet, Régine Crespin, John Wustman | E♭ Major | 0 | 5B | 65 BPM | ||
| Luck (From "Only Heaven") | Ricky Ian Gordon, Langston Hughes, Clare Gormley, Kevin Murphy | E♭ Major | 0 | 5B | 168 BPM | ||
| Quartet ( A Model Of Decorum And Tranquility ) | Original Broadway Cast, Harry Goz, Judy Kuhn, Paul Harman, David Carroll | G Minor | 2 | 6A | 142 BPM | ||
| Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM | ||
| This Nearly Was Mine | Paulo Szot | C Major | 2 | 8B | 88 BPM | ||
| Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
| Unusual Way | Maury Yeston, Laura Benanti, Antonio Banderas | D♭ Minor | 2 | 12A | 77 BPM | ||
| Poem (Lana Turner Has Collapsed!) | Melanie Helton, Ricky Ian Gordon | D♭ Minor | 2 | 12A | 0 BPM | ||
| V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
| My People | Ricky Ian Gordon, Darryl Taylor, Maria Corley | B♭ Minor | 0 | 3A | 77 BPM | ||
| My True Love | Glory Crampton | A♭ Major | 2 | 4B | 107 BPM | ||
| Porgy And Bess: I Got Plenty o' Nuttin' | George Gershwin, Donnie Ray Albert, Wilma Shakesnider, Carol Brice, Houston Grand Opera Ensemble, Houston Grand Opera Orchestra, John DeMain, Houston Grand Opera | D Major | 2 | 10B | 163 BPM | ||
| Maybe | Emily E. Finke | E♭ Major | 3 | 5B | 82 BPM | ||
| Trees | Oscar Rasbach, Bryn Terfel, Czech Philharmonic, Paul Bateman | F Major | 1 | 7B | 83 BPM | ||
| L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
| Goodbye, Old Girl | Richard Adler, Jerry Ross, "Damn Yankees" 1994 Broadway Cast, David Chase | A Major | 0 | 11B | 86 BPM | ||
| O del mio dolce ardor - Live | Christoph Willibald Gluck, Angela Gheorghiu | D Major | 1 | 10B | 100 BPM | ||
| Sometimes | Ricky Ian Gordon, Richard Nelson, Emily Skinner, Caroline Mc Mahon, Brooke Sunny Moriber | F Major | 3 | 7B | 99 BPM | ||
| Show Boat, Act Two Scene Six: Let's make the new year far from a blue year | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | G Major | 4 | 9B | 132 BPM | ||
| Considering Matthew Shepard: Prologue, 3. We Tell Each Other Stories | Craig Hella Johnson, Conspirare | A Major | 0 | 11B | 169 BPM | ||
| Frauenliebe und -leben Op. 42: 5. Helft mir, ihr Schwestern | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 1 | 6B | 85 BPM | ||
| Frauenliebe und Leben, Op. 42: No. 3, Ich kann's nicht fassen, nicht glauben | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | C Minor | 0 | 5A | 131 BPM | ||
| Songs of Travel: No. 7, Whither Must I Wander? | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | C Minor | 0 | 5A | 76 BPM |