Johann Adolf Hasse, Janos Sebestyen's ' "Keyboard Concerto No. 4 in D Major: I. Allegro" was released on its scheduled release date, July 15, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Adolf Hasse, Janos Sebestyen's "Hasse: 6 Keyboard Concertos" album is number 10 out of 19. On top of that, Hungary appears to be the country where this track was created. Keyboard Concerto No. 4 in D Major: I. Allegro is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Keyboard Concerto No. 4 in D Major: I. Allegro by Johann Adolf Hasse, Janos Sebestyen to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto grosso in G Minor, Op. 1 No. 12: II. Allemanda. Allegro | Pietro Locatelli, Elizabeth Wallfisch, Nicholas Kraemer, Raglan Baroque Players | A Major | 5 | 11B | 92 BPM | ||
| Mass in D Minor: Sanctus: Sanctus | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | D♭ Major | 1 | 3B | 135 BPM | ||
| Magnificat en sol mineur, RV 610: VIII. Sicut locutus est | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Damien Guillon, David Munderloh, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 2 | 3B | 142 BPM | ||
| Handel: Theodora, HWV 68: Overture | George Frideric Handel, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 1 | 3B | 98 BPM | ||
| Missa Votiva in E Minor, ZWV 18: XIX. Agnus dei | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Tomáš Kořínek, Tomáš Král | E♭ Minor | 2 | 2A | 98 BPM | ||
| La Susanna: Voi donzelle | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 1 | 10B | 111 BPM | ||
| Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
| Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Christ unser Herr zum Jordan kam (Chorus) | Johann Sebastian Bach, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 0 | 1B | 106 BPM | ||
| Hasse: Serpentes ignei in deserto: Recitativo. "Tandem ultionis" (Angelus, Moyses) | Johann Adolf Hasse, Thibault Noally, Les Accents, Julia Lezhneva, Philippe Jaroussky | E♭ Minor | 0 | 2A | 76 BPM | ||
| Concerto grosso in F Major Op. 6, No. 6: III. Largo | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act I: The Triumphing Dance | Henry Purcell, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 0 | 11A | 172 BPM | ||
| Nisi Dominus, Psalm 126 (127) HWV 238: 1. Nisi Dominus | George Frideric Handel, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | F♯ Major | 2 | 2B | 78 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Minor | 0 | 12A | 74 BPM | ||
| Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | ||
| In furore iustissimae irae, RV 626: III. Largo | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | F♯ Minor | 0 | 11A | 97 BPM | ||
| Purcell : King Arthur : Act 5 Chaconne | William Christie | E♭ Major | 0 | 5B | 125 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
| Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D♭ Minor | 1 | 12A | 179 BPM | ||
| Requiem in C Major / Lacrimosa: VIb. Domine Jesu Christe | Johann Adolf Hasse, Marlen Herzog, Wiebke Lehmkuhl, Colin Balzer, Cornelius Uhle, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | B Minor | 4 | 10A | 80 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Sonate in A Minor: I. Grave | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: II. Caph | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM |