Aparna Mayekar's ' "Angai Re Tanya Bala" was released on its scheduled release date, December 13, 2000. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 8 in Barse Va Palna Geete by Shashikala Abhyankar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Angai Re Tanya Bala is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Angai Re Tanya Bala by Aparna Mayekar is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| GANPATI BAPPA AGLE BARAS TUM JALDI AANA | LATA MANGESHKAR | E Minor | 9 | 9A | 79 BPM | ||
| Jwanichya Aagit | Vishnu Shinde, Aparna Mayekar, Rekha Deepake, Maina Kokate, Shravan Kumar | B♭ Minor | 9 | 3A | 101 BPM | ||
| Koi Kuchh Kahe | Asha Bhosle, Jani Babu, Laxmikant–Pyarelal | E♭ Minor | 9 | 2A | 167 BPM | ||
| Daddy Yaad Aate Hain | Baby Munmi, Kavita Krishnamurthy | A♭ Major | 7 | 4B | 99 BPM | ||
| Tummae kiye poore armaan hamaare | Brahma Kumaris | A Minor | 7 | 8A | 137 BPM | ||
| Ungavala Punvacha Chand | Chandrakala Dasari | A♭ Major | 9 | 4B | 84 BPM | ||
| Gupit Ek Sangate Dupari | Suman Kalyanpur | E Major | 2 | 12B | 138 BPM | ||
| Hich Kay Go, Pt. 2 | Santosh Nayak, Vina Bamne | A♭ Major | 5 | 4B | 96 BPM | ||
| Gori Gori Paan | Madhuri Mahajan, Aparna Mayekar, Nina Chitnis | B♭ Minor | 9 | 3A | 101 BPM | ||
| Nako Sajni Ga | Jaywant Kulkarni, Usha Mangeshkar | A Minor | 3 | 8A | 101 BPM | ||
| Shetbharla Aalan Usanch | Nitin Diskalkar, Aparna Mayekar | G Minor | 6 | 6A | 100 BPM | ||
| Patthar Ke Jigar Walo | Anuradha Paudwal, Sonu Nigam | D♭ Minor | 6 | 12A | 81 BPM | ||
| Navkrantichya | Vishnu Shinde, Aparna Mayekar, Rekha Deepake, Maina Kokate, Shravan Kumar | A♭ Major | 5 | 4B | 71 BPM | ||
| Aai Saptshrungi Amaba | Vijay Tanpure, Aparna Mayekar | G Major | 6 | 9B | 177 BPM | ||
| Pyar Ke Pehle Kadam Pe | Kishore Kumar, Alka Yagnik | B♭ Minor | 8 | 3A | 112 BPM | ||
| Rupwati, Gudwati, Pyaari Kiti (Yashomati Phoolmati) | Suresh Wadkar, Shoba Joshi, Nishigandha Wad, Ashok Saraf | C Minor | 5 | 5A | 107 BPM | ||
| Chaitra Poornima Somvatila | Adarsh Shinde | A♭ Major | 9 | 4B | 160 BPM | ||
| Tujhe Dekhane Ke | Shabbir Kumar, Kavita Krishnamurthy | B♭ Major | 9 | 6B | 149 BPM | ||
| Main Teri Navri | Mohammed Aziz, Kavita Krishnamurthy | F Minor | 7 | 4A | 141 BPM | ||
| Ganapati Raya Padto Mi Paya | Vinay Mandke, Anupama, Arun Pange | G Major | 7 | 9B | 78 BPM | ||
| Kya Karte They Sajna | Anand-Milind | A Major | 6 | 11B | 158 BPM | ||
| Main Athra Baras Ki Ho Gayi | Udit Narayan, Alka Yagnik | B Minor | 9 | 10A | 90 BPM | ||
| Happy Birthday | Vinay Mandke, Ravindra Sathe, Sudesh Bhosle | D Minor | 7 | 7A | 176 BPM | ||
| Awaaz Humari | Kavita Krishnamurthy, Anuradha Paudwal | E Minor | 8 | 9A | 121 BPM | ||
| Nao Tuzaghenyasathi | Suresh Wadkar, Dada Kondke | C Major | 8 | 8B | 98 BPM |