Rushi Pandya's ' "Aaje Mare Hari" was released on its scheduled release date, March 1, 2021. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The song is number 7 out of 8 in Chhapaiyadhish Pyaro Swaminarayan Kirtan by Ravi Vyas. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Aaje Mare Hari is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Aaje Mare Hari by Rushi Pandya is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maru Man Dodi Dodi Amarnath Jay | Kiran Prajapati | F♯ Major | 5 | 2B | 156 BPM | ||
| Sahajanand Mero Sahajanand Swaminarayan Kirtan | Anmol Khatri, Rushi Pandya | B Minor | 4 | 10A | 114 BPM | ||
| Ganpati Aayo Baapa | Pamela Jain, Vikram Thakor | D♭ Major | 4 | 3B | 141 BPM | ||
| Parivar Sabha | Rushi Pandya | B♭ Major | 6 | 6B | 100 BPM | ||
| Dhalti Sanj | Vidita Shukla, Rushi Pandya, Naimisha Dhruve | A♭ Major | 5 | 4B | 96 BPM | ||
| Tari Murti Lage Che Mane Payri - From "Shree Swaminarayan Garba" | Geeta Rabari, Maulik Mehta | E♭ Minor | 7 | 2A | 142 BPM | ||
| Taru Mukh Joyi Maya Mune | Niladri Chetterji | F♯ Major | 6 | 2B | 97 BPM | ||
| Akshar Na Vachi | Harikrishna Patel | F Major | 5 | 7B | 79 BPM | ||
| Maa Patal Bhairavi (Kantikartik) CG Song | OP Dewangan | F♯ Major | 9 | 2B | 80 BPM | ||
| Shreenathji Bhajan - Mara Ghat Ma Birajta Shrinathji | Jaydeep Swadia | D Major | 7 | 10B | 88 BPM | ||
| Param Anand | Rushi Pandya | E♭ Minor | 4 | 2A | 83 BPM | ||
| WAKE AMBODE SHRINATHJI | Nidhi Dholkiya | C Minor | 6 | 5A | 106 BPM | ||
| Anand Vaaja Vage.. Mangal Aarti | Rekha Rawal, Parthiv Gohil | E♭ Major | 4 | 5B | 107 BPM | ||
| Re Ho Re Madi | Appu | A♭ Major | 6 | 4B | 93 BPM | ||
| Lal Bus Lela Numbervali | Jashvant Rathva | B♭ Minor | 8 | 3A | 116 BPM | ||
| Rakh Sada Tav Charne | Satish Dehra, Foram Maheta | D♭ Major | 5 | 3B | 171 BPM | ||
| Guru Mara Taranhara | Anmol Khatri, Rushi Pandya | D♭ Major | 6 | 3B | 150 BPM | ||
| Chandi Chamunda Chotila Vali | Kirtidan Gadhvi, Kavita Das | F Major | 8 | 7B | 144 BPM | ||
| Janani Jivo Re Gopichand Ni-Pad 06 | Hemant Joshi, Rushi Pandya | E♭ Major | 3 | 5B | 99 BPM | ||
| Suraj Badle Chando Badle | Rajdeep Barot, Vanita Barot | A♭ Major | 9 | 4B | 110 BPM | ||
| Sarangpur Na Dhame Joya Kashtbhanjan Dev | Lalita Ghodadra, Arvind Barot | A♭ Major | 5 | 4B | 175 BPM | ||
| Aaj Mare Orde Re Aavya Avinashi Albel-Pad 03 | Hemant Joshi, Gurukul Balvrund | D♭ Minor | 5 | 12A | 142 BPM | ||
| Bhaiya Teeja Le Bar Aahi | Indrani Verma | G Major | 7 | 9B | 120 BPM | ||
| Aaj Mare Orde Re Aavya Avinashi Albel-Pad 04 | Hemant Joshi, Gurukul Balvrund | E♭ Minor | 5 | 2A | 97 BPM | ||
| Podho Podho | Harikrishna Patel | A Minor | 5 | 8A | 150 BPM |