Rushi Pandya's ' "Param Anand" was released on its scheduled release date, February 1, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Nishkulanand Kavya Kirtan Rasthal Pt-02 Swaminarayan Kirtan". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Param Anand is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Param Anand by Rushi Pandya having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pehlan Kinna Chahundi Hundi Si | Kuldeep Rasila, Lal Kamal, Major Khokhar Wala | B♭ Minor | 6 | 3A | 103 BPM | ||
| Batli Hidibyada | Shabbir Dange, B. R. Chaya | E Major | 6 | 12B | 113 BPM | ||
| Baikunth Wala Brij Wala Ho Gaya | Devi Chitralekhaji | D♭ Minor | 6 | 12A | 129 BPM | ||
| Malya Pratyaksh Bhagvan | Anoopam Mission, Sadhu Sarjudasji | D♭ Major | 3 | 3B | 90 BPM | ||
| Ye Hakikat Hai Sunle | Riza Khan | E Major | 8 | 12B | 103 BPM | ||
| Piyaji Ri Vani Mat Bol | Viru Nehad, Rekha Parmar | A♭ Major | 9 | 4B | 93 BPM | ||
| Sharanue Baaje Nobat Gaaje | Rushi Pandya | B♭ Major | 8 | 6B | 93 BPM | ||
| Mayi Ho Didiya Kanha Gayili | Arvind Akela Kallu Ji | B♭ Minor | 9 | 3A | 154 BPM | ||
| Jagore Jago Ambedkar | NEWJANAPADA | B Minor | 8 | 10A | 95 BPM | ||
| Ek Tu Hi Sahara Hai | Rohit Tiwari Baba | D Major | 6 | 10B | 112 BPM | ||
| Purani Preet | Narendra Singh Negi, Pratiksha Bamrara | C Major | 7 | 8B | 136 BPM | ||
| Meri Ladli Ke Jaisa Dooja Koi Nahi | Mukul Dwivedi | D Major | 6 | 10B | 112 BPM | ||
| Aagri Kolyanchi Shan | Parmesh Mali, Neha Kene | A Major | 9 | 11B | 172 BPM | ||
| Jesal Karile Vichar | Gopal Bharwad | A♭ Major | 7 | 4B | 172 BPM | ||
| Shri Krishna Govind Hare Murari | Rushi Pandya | A♭ Major | 7 | 4B | 90 BPM | ||
| Tu Rangai Jane Bholanath Na Rang Ma | Arvind Barot, Bhavna Rana | F♯ Major | 6 | 2B | 101 BPM | ||
| Vardan lutane wale | Brahma Kumaris | D Major | 4 | 10B | 125 BPM | ||
| Dash Divash Ni Maya Lagadi | Gagan Jethva | F Minor | 2 | 4A | 126 BPM | ||
| Gopala Murli Manohar Nandlala | Kishan Kumar Budhadev | D♭ Minor | 5 | 12A | 142 BPM | ||
| Prabhu Hum Bhi Sharnagat Hai | Satyendra Pathak | A♭ Major | 7 | 4B | 94 BPM | ||
| Kamdu Kondadaabanni | Surekha, Shamitha | D Major | 5 | 10B | 100 BPM | ||
| Maiya Aan Pade Tere Dware | Saksham Goyal | F Minor | 10 | 4A | 192 BPM | ||
| Main Radha Radha Naam Japu | Shreya Karn, Akhil Singh, Shubh Jha | D Major | 6 | 10B | 112 BPM | ||
| Jara Der Thahro Ram | Dimple Bhumi | F Major | 6 | 7B | 153 BPM | ||
| O Karuna Na Karnara | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | B♭ Minor | 5 | 3A | 107 BPM |