Arvind Barot, Bhavna Rana's ' "Tu Rangai Jane Bholanath Na Rang Ma" was released on its scheduled release date, January 8, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Shiv Tandav". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Tu Rangai Jane Bholanath Na Rang Ma is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tu Rangai Jane Bholanath Na Rang Ma by Arvind Barot, Bhavna Rana having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jogmaya | Devraj Gadhavi, Rahul Munjariya | A♭ Major | 7 | 4B | 165 BPM | ||
| મથુરા ના રાજા થયા છો || MAYUR DAVE || MATHURA NA RAJA THYA CHO | Studio Krishna Bhanvad | A Major | 8 | 11B | 135 BPM | ||
| Shirdiwale Sai Baba | Master Rana | E♭ Major | 5 | 5B | 93 BPM | ||
| Daya Kar Daan Vidya Ka | Vidhi Sharma | B Major | 7 | 1B | 80 BPM | ||
| Saat Saat Rangni | Sadhana Sargam, Arvind Barot | G Major | 8 | 9B | 146 BPM | ||
| Kastbhanjan Dev Ni Aarti | Hashmukh Patadiya | F♯ Major | 7 | 2B | 104 BPM | ||
| Aaju Mithila Nagariya | Maithili Thakur | D♭ Major | 7 | 3B | 150 BPM | ||
| Ho Rang Rasiya Kya Rami Avya | Aditya Gadhvi, Shruti Ahir | G Major | 9 | 9B | 95 BPM | ||
| Sachi Re Mari Satt Re BhavaNIma | Bhikhudan Gadhvi, Dipali Somaiya, Nila Patel, Nisha Parghi | B Major | 8 | 1B | 148 BPM | ||
| Lagan Geet 2023 Part 1 | Motibhai Bharvad | F Major | 8 | 7B | 90 BPM | ||
| Kum Kum Kera Pagle Sachi Re Mari Sat (Live) | Atul Purohit | E♭ Major | 6 | 5B | 144 BPM | ||
| Kanji Tari Maa Keshe | Arvind Barot, Lalita Ghodadra | G Minor | 5 | 6A | 129 BPM | ||
| Koi Na Hatu Tyare Mari | Falguni Pathak | F Major | 8 | 7B | 190 BPM | ||
| Sad Karu Lya Aavje Sami | Aditya Gadhvi, Shruti Ahir | G Major | 9 | 9B | 95 BPM | ||
| O Gauri Putra Ganraja | Manish Tiwari | F♯ Major | 6 | 2B | 154 BPM | ||
| Sharda Maiya Tero Jhulna | Pooja Golhani | G Major | 7 | 9B | 100 BPM | ||
| Mithe Ras Se Bharyo Re Radha | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | F♯ Major | 7 | 2B | 93 BPM | ||
| Preetdi Rue Rah Rah | Sadhana Sargam, Arvind Barot | F Major | 3 | 7B | 75 BPM | ||
| Nakoda Bheruji Aarti | Vaibhav Bagmar | B Major | 8 | 1B | 165 BPM | ||
| Mithe Ras Se Bharyo Re Radha Rani Lage | Asif Jeriya, Ami Joshi | D♭ Major | 5 | 3B | 90 BPM | ||
| Sonal No Darbar | Adityadan Gadhvi | F♯ Major | 4 | 2B | 85 BPM | ||
| Nach Rahi Hai Kali Angana Mein | Sandeep Karosiya | B♭ Major | 9 | 6B | 147 BPM | ||
| Kanaiya Ja Ja Ja | Rushabh Ahir | A♭ Minor | 6 | 1A | 90 BPM | ||
| Guruji na Nam ni Ho Mala | NARAYANSWAMI | F Minor | 5 | 4A | 130 BPM | ||
| Tu Maro Kaan | Kairavi Buch | F Major | 6 | 7B | 59 BPM |