Asif Jeriya, Ami Joshi's ' "Mithe Ras Se Bharyo Re Radha Rani Lage" was released on its scheduled release date, April 5, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Mithe Ras Se Bharyo Re Radha Rani Lage and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Mithe Ras Se Bharyo Re Radha Rani Lage is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mithe Ras Se Bharyo Re Radha Rani Lage by Asif Jeriya, Ami Joshi to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vallabh Kul Na Vala Shrinathji | Asif Jeriya | F Major | 5 | 7B | 82 BPM | ||
| Mandir Taru Vishva Rupadu | Satish Dehra, Foram Maheta | E♭ Major | 4 | 5B | 97 BPM | ||
| Holi Khelan Aayo Shyam | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 4 | 1A | 122 BPM | ||
| Kanji Tari Maa Keshe | Arvind Barot, Lalita Ghodadra | G Minor | 5 | 6A | 129 BPM | ||
| Mari Meldi Maa No Mandavo Ropavo | Sanjay Raval (Budhelvala) | D♭ Major | 10 | 3B | 128 BPM | ||
| Kanudo Kalo Kaho | Lalita Ghodadra | E♭ Major | 6 | 5B | 137 BPM | ||
| Venu Vagadto | Achal Mehta | B♭ Minor | 4 | 3A | 78 BPM | ||
| Raghunandji Ni Dwarke Je Nathji | Geeta Rabari | B♭ Major | 9 | 6B | 135 BPM | ||
| Radha Dhund Rahi | Kishore Manraja, Ami Joshi | F Minor | 5 | 4A | 132 BPM | ||
| Aarti | Shailendra Bharti, Nisha Upadhyay, Soli Kapadiya | D♭ Major | 3 | 3B | 99 BPM | ||
| Bhajman Bam Bam Bholenath | Hemant Chauhan | A♭ Major | 8 | 4B | 85 BPM | ||
| Hey Prabhu Anand Data Gyan Humko Deejiye | Vishal Khera | E♭ Major | 8 | 5B | 114 BPM | ||
| Ekali Khadi Re Meera Bai Ekali Khadi | Radha Krishna Maharaj | F Minor | 7 | 4A | 79 BPM | ||
| Shri Krishna Saranam Mam | Ashit Desai, Hema Desai | B Minor | 6 | 10A | 73 BPM | ||
| Uncha Uncha Bangla - Veero Maro Zagmag | Lalita Ghodadra | F Minor | 8 | 4A | 177 BPM | ||
| Maa Mane Chhokari Gamti | Kamlesh Barot | G Minor | 5 | 6A | 162 BPM | ||
| He Mathurana Marge Shamliyaji Re | Vana Bharvad | B♭ Major | 8 | 6B | 160 BPM | ||
| Samay Maro Sadhje Vala | Asif Jeriya | C Minor | 5 | 5A | 80 BPM | ||
| Maha Lakshmi Chalisa | Anuradha Paudwal, Kavita Paudwal, Suresh Wadkar | D♭ Major | 7 | 3B | 133 BPM | ||
| Darshan Deva Aavo Khodal Maa | Kirtidan Ghadhavi | C Major | 6 | 8B | 204 BPM | ||
| Mane Pyaru Lage Shreeji Taru Naam | Asif Jeriya | F Minor | 6 | 4A | 89 BPM | ||
| Mogal Ave Ramva | Kajal Maheriya | E♭ Minor | 9 | 2A | 139 BPM | ||
| Chosat Jogani Re - Original | Shyam Paliwal, NA | A Major | 7 | 11B | 141 BPM | ||
| Kanaiya Ja Ja Ja | Rushabh Ahir | A♭ Minor | 6 | 1A | 90 BPM | ||
| Pap Taru Parkash Jadeja | Hari Bharwad | F♯ Major | 7 | 2B | 117 BPM |