Satish Dehra, Foram Maheta's ' "Mandir Taru Vishva Rupadu" was released on its scheduled release date, July 24, 2001. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Prarthana Pothi, Pt. 2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Mandir Taru Vishva Rupadu is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mandir Taru Vishva Rupadu by Satish Dehra, Foram Maheta having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Helo Maro Sambhdo | Ghanshyam Makvana | F♯ Major | 6 | 2B | 116 BPM | ||
| Krishna Bhajan | Jigardan Gadhavi | F♯ Major | 4 | 2B | 124 BPM | ||
| Nana Sarkha Shreenathji | Dr. Dipali Bhatt, Sachin Limaye, Foram Maheta | F♯ Major | 1 | 2B | 82 BPM | ||
| Jay AdhyaShakti | Santvani Trivedi, Himanshu Barot | D Major | 5 | 10B | 112 BPM | ||
| Jalkamal Chandi Ja Ne | Damyanti Bardai, Dipali Somaiya, Chetan Gadhavi | F Major | 5 | 7B | 100 BPM | ||
| Shirdiwale Sai Baba | Master Rana | E♭ Major | 5 | 5B | 93 BPM | ||
| Maharas | Bhavesh Ahir | A♭ Minor | 6 | 1A | 129 BPM | ||
| Shiv Rudrashtakam | Satish Dehra | B Major | 5 | 1B | 121 BPM | ||
| Mithe Ras Se Bharyo Re Radha | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | F♯ Major | 7 | 2B | 93 BPM | ||
| Salangpur Wala | Salangpur Hanumanji - Official | E♭ Major | 1 | 5B | 77 BPM | ||
| Tum kalyani ho mahamai | Shahnaz Akhtar | B Minor | 9 | 10A | 127 BPM | ||
| Hey Vitthala Re | Sai Damodar | G Major | 2 | 9B | 80 BPM | ||
| Lagyo Lagyo Jeth | Seema Mishra, Satish Dehra | A♭ Major | 5 | 4B | 130 BPM | ||
| Meva Male Ke Na Male - Original | Jignesh Dada, NA | A♭ Major | 5 | 4B | 120 BPM | ||
| Arati | Swami Shree Chhapaiyaprakashdasji | F Major | 6 | 7B | 96 BPM | ||
| Gopal Maro Paaraniye Jhule Re | Asif Jeriya, Ami Joshi | F Major | 5 | 7B | 143 BPM | ||
| Ghana Din So Leyo Re | Satish Dehra | F Major | 4 | 7B | 80 BPM | ||
| Mara Ghatma Birajata Hanumanji (Male Version) | Salangpur Hanumanji - Official | F Minor | 8 | 4A | 82 BPM | ||
| Shree Ram Lalla | Satish Dehra | F Major | 7 | 7B | 114 BPM | ||
| Bhaji Le Bhagwan | Jayesh Gandhi | C Major | 5 | 8B | 103 BPM | ||
| Evu Shree Vallabh Prabhunu Naam-Shree Vallabhacharya Prarthna | Nidhi Dholakia, Nitin Devka | A♭ Major | 6 | 4B | 136 BPM | ||
| Jene Aanganiye Tulsino Kyaro | Hemant Chauhan | D♭ Minor | 5 | 12A | 111 BPM | ||
| Shree Nathji Bolo | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | E♭ Major | 5 | 5B | 78 BPM | ||
| Ora Aavo Shyam | Harikrishna Patel | A Minor | 6 | 8A | 94 BPM | ||
| Shiva Shambho | Vikram Hazra | F♯ Major | 2 | 2B | 129 BPM |