Master Rana's ' "Shirdiwale Sai Baba" was released on its scheduled release date, March 11, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Ganpati Aayo Riddhi Siddhi Layo" album is number 6 out of 9. In terms of popularity, Shirdiwale Sai Baba is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Shirdiwale Sai Baba by Master Rana to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zulan Morli Vagi Re Raja Na Kunvar | Rupande Shah, Avani Parikh | A♭ Major | 4 | 4B | 114 BPM | ||
| Kanji Tari Maa Keshe | Arvind Barot, Lalita Ghodadra | G Minor | 5 | 6A | 129 BPM | ||
| Julavu Pyare Hindore | Rajkot Gurukul | F♯ Major | 6 | 2B | 164 BPM | ||
| Tara Vina Veran Laage Aa Raatdi | Ashvin Mistry | B Major | 6 | 1B | 141 BPM | ||
| Lidhi Re Vidayu Bagdana Dham Ni, Pt. 1 | Suresh Raval, Batuk Maharaj | F Minor | 8 | 4A | 80 BPM | ||
| Sakhi Aaj Ni Ghadi Te Raliyamani | Himali V Naik | F Minor | 6 | 4A | 135 BPM | ||
| Sonal Garbo Shire | Damyanti Bardai | G Major | 6 | 9B | 135 BPM | ||
| Radika Rase Ramvane Vahli | Jignesh Kaviraj, Tejal Thakor | G Major | 10 | 9B | 110 BPM | ||
| Sadguru Tame Mara Taranhar | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | A♭ Major | 6 | 4B | 128 BPM | ||
| O Michael - From "Ishwar Kya Che?" | Jalpa Barot, Master Rana | D♭ Minor | 6 | 12A | 110 BPM | ||
| Aghor Nagara Vage | Mathurbhai Kanjariya | F Major | 8 | 7B | 106 BPM | ||
| Main Kanuda Teri Govalana | Damyanti Bardai, Dipalee Somaiya Date, Chetan Gadhavi | E♭ Major | 5 | 5B | 89 BPM | ||
| Tu Rangai Jane Bholanath Na Rang Ma | Arvind Barot, Bhavna Rana | F♯ Major | 6 | 2B | 101 BPM | ||
| Sacho Sambandhi Maro Ram Che | Kiran Prajapati | G Major | 8 | 9B | 104 BPM | ||
| Khodiyar Bavni | Asha Thakor | F Minor | 4 | 4A | 122 BPM | ||
| Mara Saayba | Arvind Barot, Sadhana Sargam | F♯ Major | 5 | 2B | 168 BPM | ||
| Mukti Male Ke Na Male | Asif Jeriya | F Minor | 8 | 4A | 128 BPM | ||
| Khamma Mari Pavavadi Maa | Geeta Rabari | D Minor | 9 | 7A | 106 BPM | ||
| Muj Dware Thi O Pankhida - Original | Jignesh Dada, NA | B♭ Minor | 4 | 3A | 82 BPM | ||
| Jay Sadguru Swami | Shree Swaminarayan Mandir Kalupur | C Minor | 7 | 5A | 96 BPM | ||
| Taro Re Sayabo Batav | Hari Bharwad | C Minor | 6 | 5A | 159 BPM | ||
| Chalkata Jaam | Meghna Purohit, Master Rana | B Minor | 7 | 10A | 115 BPM | ||
| Vande Shiv Stuti | Niranjan Pandya | F Minor | 1 | 4A | 85 BPM | ||
| Sonani Dwarka Rupani Dwarka | Hemant Chauhan | A♭ Major | 4 | 4B | 114 BPM | ||
| Asmani Rangni Chundadi Re | Appu, Suchita Vaz, Nila | F Minor | 9 | 4A | 144 BPM |