"The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile)" by Franz Joseph Haydn, Cuarteto Casals had its release date on March 10, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Cuarteto Casals's "Haydn: Die sieben letzten Worte unseres Erlösers am Kreuze (The Seven Last Words of Christ on the Cross)" album is number 3 out of 9. On top of that, France appears to be the country where this track was created. The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile) by Franz Joseph Haydn, Cuarteto Casals to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Proserpine: Overture in D Major: I. Allegro spiritoso | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 3 | 10B | 140 BPM | ||
| Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
| Trio No. 97 in D Major: Adagio cantabile | Franz Joseph Haydn, Netherlands Baryton Trio | D Major | 1 | 10B | 115 BPM | ||
| Symphony in D Major, Op. 3, No. 2: IV. Prestissimo | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 1 | 10B | 89 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
| Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, New London Consort, Philip Pickett | F♯ Major | 1 | 2B | 131 BPM | ||
| Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | D Major | 1 | 10B | 84 BPM | ||
| Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington | C Major | 1 | 8B | 147 BPM | ||
| Concerto pour Violoncelle, Cordes et Clavecin en Sol Mineur: III. Allegro non tanto | Georg Matthias Monn, Jean-Guihen Queyras, Freiburger Barockorchester, Petra Mullejans | D Major | 2 | 10B | 121 BPM | ||
| Konzert Für 2 Klaviere Und Orchester Nr.10 In Es-Dur, KV 365: 3. Satz | Alfred Brendel, Walter Klien, Vienna Volksoper Orchestra | C Major | 2 | 8B | 74 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | D Major | 2 | 10B | 139 BPM | ||
| String Quartet No. 14 in G Major, K. 387 "Spring": II. Menuetto (Allegretto) - Trio | Wolfgang Amadeus Mozart, Cuarteto Casals | G Major | 1 | 9B | 170 BPM | ||
| Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): II. Andante | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | G Major | 0 | 9B | 80 BPM | ||
| String Quartet No. 14 in G Major, K. 387 - 'Spring': String Quartet No. 14 in G Major, K. 387 - 'Spring': III. Andante cantabile | Wolfgang Amadeus Mozart, Cuarteto Casals | C Major | 1 | 8B | 97 BPM | ||
| Symphony in C Minor, Bryan Cm2: IV. Allegro molto | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | C Minor | 1 | 5A | 87 BPM | ||
| Organ Concertos, Op. 4, Concerto No. 6 in B-Flat Major, HWV 294: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | ||
| No. 1, Allegretto scherzando | Antonín Dvořák, Scharoun Ensemble | G Minor | 1 | 6A | 93 BPM | ||
| 6 Sonates en symphonies, Op. 3, Sonata No. 4: II. Aria. Andante gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 102 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
| Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
| Concerto a due cori No. 1 in B flat (1989 Digital Remaster): II. Allegro | George Frideric Handel, Yehudi Menuhin, Menuhin Festival Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
| String Quartet in E-Flat Major, Op. 71 No. 3: I. Vivace | Franz Joseph Haydn, Maxwell Quartet | E♭ Major | 1 | 5B | 136 BPM | ||
| String Quartet No. 47 in G Minor, G. 205: II. Andantino | Luigi Boccherini, Cuarteto Casals | B♭ Major | 1 | 6B | 136 BPM | ||
| Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Müller-Brühl | D♭ Major | 1 | 3B | 174 BPM | ||
| Symphony No. 99 in E-Flat Major, Hob. I:99: IV. Finale. Vivace | Joseph Haydn, Kolner Kammerorchester, Helmut Müller-Brühl | G Minor | 1 | 6A | 99 BPM |