Maxim trilogy Suite, Op. 50a: I. Prologue by Lev Atovmyan, Dmitri Shostakovich, Svetlana Katchour, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Michail Jurowski Song Details

Lev Atovmyan, Dmitri Shostakovich, Svetlana Katchour, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Michail Jurowski's ' "Maxim trilogy Suite, Op. 50a: I. Prologue" was released on its scheduled release date, January 1, 1997. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Maxim trilogy Suite, Op. 50a: I. Prologue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Shostakovich, D.: Movie Madness - Selections From Film Music". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Maxim trilogy Suite, Op. 50a: I. Prologue is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Maxim trilogy Suite, Op. 50a: I. Prologue by Lev Atovmyan, Dmitri Shostakovich, Svetlana Katchour, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Michail Jurowski having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.425 dB
Acousticness: 79%
Danceability: 48%
Energy: 27%
Instrumentalness: 83%
Liveness: 24%
Loudness: 71%
Speechiness: 3%
Valence: 68%

Recommendations

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Babes in Toyland: Eccentric Dance (Gavotte)	Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion	F Major	1	7B	84 BPM
Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy)	Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky	A Major	2	11B	98 BPM
Belle Of The Ball	Leroy Anderson, Eastman-Rochester Pops Orchestra, Frederick Fennell	A Major	3	11B	111 BPM
The Wolf and the Seven Young Goats: IV. Big Bad Wolf	Alexander Litvinovsky, Pavel Lyubomudrov, Metamorphose String Orchestra, Alexey Lundin, Halidon	A Major	1	11B	87 BPM
Atovmyan & Shostakovich: 4 Waltzes: No. 3, Waltz (From "The Return of Maxim", Op. 45)	Dmitri Shostakovich, Lev Atovmyan, Nash Ensemble	G Major	1	9B	112 BPM
Polka	Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia	D Major	2	10B	112 BPM
Symphony No. 4 "Autochthonous": III. Moderately fast	William Grant Still, Philadelphia Orchestra, Yannick Nézet-Séguin	G Minor	1	6A	106 BPM
Gayane Suite No. 1: II. Gayane and Giko	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	C Minor	2	5A	78 BPM
Tchaikovsky: Serenade In C, Op. 48 - 2. Valse	Pye Hastings, Orpheus Chamber Orchestra	G Major	1	9B	80 BPM
Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato	Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian	D Minor	1	7A	97 BPM
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo	Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR	B♭ Major	1	6B	145 BPM
Paquita: Allegro	Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov	D Major	0	10B	78 BPM
Coppélia / Tableau 1: No. 1 Valse	Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge	C Minor	1	5A	75 BPM
The Tales of Hoffmann: Barcarolle	Jacques Offenbach, Harry Rabinowitz	F Minor	1	4A	116 BPM
Valse-Caprice in E-Flat Major	Alexander Dargomyzhsky, Yevgeny Svetlanov, USSR State Symphony Orchestra	E♭ Major	3	5B	124 BPM
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz	Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker	D Major	2	10B	92 BPM
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return)	Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia	D Major	0	10B	134 BPM
Paquita: Variation 7: Allegro	Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov	D Major	1	10B	201 BPM
Masquerade Suite: III. Mazurka	Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra	E Minor	4	9A	96 BPM
Romeo and Juliet, Op. 64, Act I: Juliet’s Variation	Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra	F Major	1	7B	80 BPM
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Entr'acte: Andante moderato; Allegretto	Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR	A Major	1	11B	114 BPM
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