- BPM
- 84
- Key
- F Major
- Camelot
- 7B
Babes in Toyland: Eccentric Dance (Gavotte) by Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion Song Details
Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion's ' "Babes in Toyland: Eccentric Dance (Gavotte)" was released on its scheduled release date, February 26, 1999. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Victor Herbert's "Herbert, V.: Babes in Toyland / The Red Mill" album is number 7 out of 10. Babes in Toyland: Eccentric Dance (Gavotte) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
We consider the tempo marking of Babes in Toyland: Eccentric Dance (Gavotte) by Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -24.588 dB
- Acousticness
- 94%
- Danceability
- 55%
- Energy
- 7%
- Instrumentalness
- 80%
- Liveness
- 5%
- Loudness
- 59%
- Speechiness
- 7%
- Valence
- 59%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 2 in E-Flat Major, Op. 38: II. Adagio | Zdeněk Fibich, Razumovsky Symphony Orchestra, Andrew Mogrelia | B Major | 0 | 1B | 123 BPM | |
 | Giselle, Act 1: Giselle's Variation | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | |
 | Tahiti Trot | Vincent Youmans, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM | |
 | Coppelia Waltz | Léo Delibes, Philadelphia Orchestra, Eugene Ormandy | E♭ Major | 2 | 5B | 89 BPM | |
 | El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | |
 | Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | |
 | Topiary Garden | Cast of Edward Scissorhands, 2005 | A♭ Minor | 1 | 1A | 71 BPM | |
 | Punchinello (Arr. S. Dennison for cello and string orchestra) | Victor Herbert, Maximilian Hornung, Südwestdeutsches Kammerorchester Pforzheim, Sebastian Tewinkel | C Major | 0 | 8B | 79 BPM | |
 | The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation II. Coulante, Fleur de Farine (Fairy of the Enchanted Garden) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | G Minor | 4 | 6A | 189 BPM | |
 | Wiener Burger, Walzer, Op. 419 | Carl Michael Ziehrer, Razumovsky Symphony Orchestra, Alfred Walter | C Major | 1 | 8B | 100 BPM | |
 | No. 18 Marsch | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 3 | 10B | 127 BPM | |
 | Harlequinade: Pas de deux: Female Variation | Riccardo Eugenio Drigo, Charles Mathews | A Major | 1 | 11B | 105 BPM | |
 | Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16e, Pas de deux de Fanny Elssler. Coda | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 3 | 7B | 151 BPM | |
| Serenade, Op. 12: II. Polonaise | Victor Herbert, Südwestdeutsches Kammerorchester Pforzheim, Sebastian Tewinkel | D Major | 1 | 10B | 93 BPM | |
 | Chrétien Polka | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 161 BPM | |
 | Yesterthoughts | Victor Herbert, Lynn Harrell, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 0 | 9A | 172 BPM | |
 | Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | |
 | Art Is Calling for Me (I Want to Be a Primadonna) | Harry Smith, Victor Herbert, Mari Palo | E♭ Major | 2 | 5B | 120 BPM | |
 | Skater's Waltz | Norddeutsche Philharmonie Symphony | D Major | 2 | 10B | 105 BPM | |
 | Le merle blanc, Op. 161 | Eugène Damaré, Ensemble Instrumental La Follia, Jean-Louis Beaumadier | D Major | 3 | 10B | 119 BPM | |
 | La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | |
| La Bayadere, Act II: 29. "Pas D'action" | Evergreen Symphony Orchestra, Kevin Galiè | G Major | 1 | 9B | 77 BPM | |
 | Ah! Sweet Mystery of Life | Victor Herbert, Ambrose Orchestra, Bert Ambrose | G Major | 3 | 9B | 177 BPM | |
 | Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | |
 | Csikós Post (Arr. P. Breiner for Orchestra) | Hermann Necke, Razumovsky Symphony Orchestra, Peter Breiner | A Minor | 5 | 8A | 123 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records