Carl Michael Ziehrer, Razumovsky Symphony Orchestra, Alfred Walter's ' "Wiener Burger, Walzer, Op. 419" was released on its scheduled release date, February 4, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Ziehrer: Selected Dances and Marches, Vol. 1 by Carl Michael Ziehrer. The song's track number on the album is #1 out of 11 tracks. In terms of popularity, Wiener Burger, Walzer, Op. 419 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Wiener Burger, Walzer, Op. 419 by Carl Michael Ziehrer, Razumovsky Symphony Orchestra, Alfred Walter has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wiener Burger, Walzer, Op. 419 being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gold und Silber, Op. 79: Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | F Major | 0 | 7B | 81 BPM | ||
| Die schöne Galathée (The Beautiful Galatea): Ouverture | Franz von Suppé, Jörg Dürmüller, Marianne Beate Kielland, Klaus Hager, Eleonore Marguerre, Christian Brückner, Ruhr ChorWerk, Cappella Coloniensis, Bruno Weil | D Major | 1 | 10B | 119 BPM | ||
| Gaîté parisienne: 4. Allegro - Valse | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | A Major | 2 | 11B | 102 BPM | ||
| Cæcilie Vals (1852) | Hans Christian Lumbye, Tivoli Symphony Orchestra | B Major | 1 | 1B | 172 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| VI. Waltz No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Vorspiel | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| The Comedians, Op. 26: Galop | Dimitri Kabelevsky, Berlin Symphonic Orchestra, Gerhard Becker | C Major | 0 | 8B | 97 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Donauwellen | Carl Michael Ziehrer, Ion Ivanovici, Joseph Gungl, Joseph Lanner, Franz Lehár, The Philharmonia Promenade Orchestra, Henry Krips | C Major | 1 | 8B | 112 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 15, Mercutio | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | A Major | 2 | 11B | 79 BPM | ||
| Wacht an der Donau! | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | D Major | 3 | 10B | 112 BPM | ||
| Frau Luna: Ouvertüre | Paul Lincke, Hamburger Rundfunkorchester, Wilhelm Stephan | A Major | 4 | 11B | 75 BPM | ||
| Gounod: Roméo et Juliette: Ouverture | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
| No. 16 Ballabile | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 1 | 10B | 91 BPM | ||
| Rosen aus dem Süden, Walzer, Op. 388 | Johann Strauss II, Wiener Philharmoniker, Yannick Nézet-Séguin | A Major | 2 | 11B | 79 BPM | ||
| Solitude, Op. 174 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | G Major | 1 | 9B | 95 BPM | ||
| Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
| John March, Op. 285 (Arr. for Orchestra) | Carl Michael Ziehrer, Czech Philharmonic Chamber Orchestra, John Georgiadis | D Major | 2 | 10B | 117 BPM | ||
| España, Op. 236 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | F Major | 3 | 7B | 118 BPM | ||
| Lyric Suite, Op. 54: I. Gjetergutt (Shepherd Boy): Andante espressivo | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | F Major | 0 | 7B | 82 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1: Böhmischer Walzer | Carl Maria von Weber, Joseph Keilberth, Berliner Philharmoniker | G Major | 5 | 9B | 119 BPM | ||
| Das Veilchenmädel: Fidele Brüder | Joseph Hellmesberger, Jr., Riccardo Muti, Wiener Philharmoniker | B♭ Major | 3 | 6B | 110 BPM |