Carl Rütti, Martin Hobi's ' "Exodus-Messe for mixed choir and organ: VII. Agnus Dei" was released on its scheduled release date, July 15, 2012. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Exodus-Messe for mixed choir and organ: VII. Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Rütti: Exodus-Messe, Fries der Lauschende - Walter: Peom". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Exodus-Messe for mixed choir and organ: VII. Agnus Dei's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Exodus-Messe for mixed choir and organ: VII. Agnus Dei by Carl Rütti, Martin Hobi having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Surely He Has Borne Our Griefs | Richard Hillert | E♭ Major | 2 | 5B | 66 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| Three carols: I. I wonder as I wander | Carl Rütti, Christopher Duarte | D Minor | 1 | 7A | 45 BPM | ||
| Vespers, Op. 37: Rejoice, O Virgin | Sergei Rachmaninoff, Mykhaylo Tyshchenko, Yuri Korinnyk, National Choir Of The Ukraine "Dumka", Yevhen Savchuk, Olga Borusene | F Major | 1 | 7B | 140 BPM | ||
| To Morning | Gabriel Jackson, William Blake, The Choir of Magdalen College, Oxford, Mark Williams | C Major | 2 | 8B | 109 BPM | ||
| The Mass: Agnus Dei | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Gammel julesang | Peter Erasmus Lange-Muller, Sct. Pauls Cantori, Anna Maria Wierød, Thomas Kristian Nielsen | F♯ Major | 1 | 2B | 79 BPM | ||
| O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
| Messe Solennelle: Kyrie | Louis Vierne, The Choir of Canterbury Cathedral, David Flood | F Major | 1 | 7B | 170 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
| Mass for 5 Voices, T. 3: IVc. Benedictus | William Byrd, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 134 BPM | ||
| Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | A Major | 2 | 11B | 67 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| Inventions for Choir: No. 2, The Duchess | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr | F Major | 2 | 7B | 89 BPM | ||
| Konzert für Alphorn in F und Streicher: Adagio | Matthias Kofmehl, Carl Rütti, Arco Musicale | C Major | 0 | 8B | 136 BPM | ||
| Praise, My Soul the King of Heaven: Praise, my soul, the King of Heaven | John Goss, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | D Major | 1 | 10B | 83 BPM | ||
| Mass in D Major, Op. 86 / Gloria: IIa. Gloria in excelsis Deo | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D♭ Minor | 0 | 12A | 108 BPM | ||
| Incipit oratio Jeremiae prophetae: III. Pupilli facti sumus | Dominique Phinot, El León de Oro, Peter Phillips | G Major | 1 | 9B | 89 BPM | ||
| Holy Spirit Mass: Blessed | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 2 | 6B | 58 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Body of the Lord | Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava | G Major | 2 | 9B | 84 BPM | ||
| All-night Vigil, Op. 44: Svete tihiy | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | D Minor | 1 | 7A | 78 BPM |