"Three carols: I. I wonder as I wander" by Carl Rütti, Christopher Duarte had its release date on May 1, 2002. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Three carols: I. I wonder as I wander's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rütti: Sermon on the Mount - Choir & Organ Works". In this album, this song's track order is #1. Three carols: I. I wonder as I wander is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three carols: I. I wonder as I wander by Carl Rütti, Christopher Duarte having a BPM of 45 with a half-time of 22 BPM and a double-time of 90 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Each Winter as the Year Grows Older (Arr. R. Hobby) | Annabeth Gay, Choir of First-Plymouth Congregation Church, Tom Trenney, Jeremy Bankson | G Minor | 1 | 6A | 61 BPM | ||
| A Hymn for St. Cecilia | Herbert Howells, Saint Clement's Choir, Philadelphia, Matthew Glandorf, Peter Richard Conte | A♭ Major | 1 | 4B | 134 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| How Beautiful Upon the Mountains | John Stainer, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster | D Major | 0 | 10B | 110 BPM | ||
| William Byrd - Gloria | Quire of Voyces | F Minor | 3 | 4A | 84 BPM | ||
| Ich bin der Welt abhanden gekommen - arr. for choir by Clytus Gottwald | Gustav Mahler, The Rodolfus Choir, Ralph Allwood | D♭ Major | 1 | 3B | 73 BPM | ||
| Requiem: Sanctus - Benedictus | Carl Rütti, Olivia Robinson, Edward Price, The Bach Choir, Jane Watts, Southern Sinfonia, David Hill | B Major | 2 | 1B | 71 BPM | ||
| Requiem: Introitus | Carl Rütti, Olivia Robinson, Edward Price, The Bach Choir, Jane Watts, Southern Sinfonia, David Hill | E Major | 0 | 12B | 81 BPM | ||
| This is the record of John | Orlando Gibbons, Fretwork, The Choir of Magdalen College, Oxford, Rogers Covey-Crump, Bill Ives | F Major | 2 | 7B | 99 BPM | ||
| Petite Symphonie Concertante: Adagio | Frank Martin, Chantal Mathieu, Verena Graf, Carl Rütti, Edmond De Stoutz, Zürcher Kammerorchester | C Major | 2 | 8B | 113 BPM | ||
| In illo tempore cum sublevasset | Francisco Guerrero, A5 Vocal Ensemble | A Minor | 1 | 8A | 80 BPM | ||
| O Lord, Be Gracious Unto Us | Drew Roth, Cantate Domino, Seth Bergey | D♭ Major | 1 | 3B | 134 BPM | ||
| Mass in D Major, Op. 86 / Credo: IIIe. Credo in Spiritum Sanctum | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| Justorum Animae | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 0 | 9B | 145 BPM | ||
| Psalm 53 "The Foolish Body Hath Said" | Luke Flintoft, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | E♭ Major | 0 | 5B | 68 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 10, Praise to the Holiest in the height (Choir of Angelicals) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton, Jamie Barton, London Philharmonic Choir | D Major | 2 | 10B | 86 BPM | ||
| Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
| On Jordan's Bank the Baptist Cry | Roger Wilcock & The London Fox Players | B♭ Major | 2 | 6B | 81 BPM | ||
| Jam conclamamus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | B♭ Major | 3 | 6B | 97 BPM | ||
| Das Windmühlerad | Carl Rütti, Christopher Duarte | F Major | 2 | 7B | 84 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Missa Angelorum: Gloria | Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson | F Major | 1 | 7B | 129 BPM |