Gopal Mathpal's ' "Chhori Cycliya Maa" was released on its scheduled release date, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 7 in Baith Tawera Maa by Gopal Mathpal, Meena Rana. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Chhori Cycliya Maa is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Chhori Cycliya Maa by Gopal Mathpal is Prestissimo (even faster than presto), since this song has a tempo of 203 BPM. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pani Re Aaye Pawan Sang | Chhaya Chandrakar, Sunil Soni | F Major | 6 | 7B | 156 BPM | ||
| Baaki Tu Jaane | Sandeep Bansal | D♭ Major | 8 | 3B | 82 BPM | ||
| Kaudi Kaudi Kaudi | Anjali Mishra | F Minor | 7 | 4A | 191 BPM | ||
| Banna Re | Anupriya Lakhawat | B Major | 5 | 1B | 170 BPM | ||
| A Ho Jagdambay Maa | Poonam Mishra | D♭ Major | 5 | 3B | 104 BPM | ||
| Baire Paire | Mamta Chandarkar | A♭ Major | 9 | 4B | 142 BPM | ||
| Tola Bandav Vo 2 | Gorelal Barman | A♭ Minor | 7 | 1A | 116 BPM | ||
| Dabe Paon Aiha Nazariya Bachake | Bharat Sharma Vyas | B Minor | 6 | 10A | 170 BPM | ||
| Banno Ke Hardi Lagaav Re | Deepa Narayan, Khushboo Jain, Supriya Joshi | D♭ Minor | 6 | 12A | 174 BPM | ||
| Pahu Jotiba Devala | Vijay Sartape | F♯ Major | 7 | 2B | 203 BPM | ||
| Hari Chhel Bajae | Rajkot Gurukul | D♭ Major | 8 | 3B | 120 BPM | ||
| Koi Karo Tarkeeb | Lakhbir Singh Lakkha | F♯ Minor | 6 | 11A | 75 BPM | ||
| Dharmatar | Milind Shinde | A♭ Major | 6 | 4B | 81 BPM | ||
| Jai Amba Jagdamba | Narendra Singh Negi, Anuradha Nirala | E Major | 6 | 12B | 117 BPM | ||
| A For Ambedkar | Anand Shinde | B♭ Major | 6 | 6B | 97 BPM | ||
| Paad Badiya Cha Ki | Preetam Bhartwan, Meena Rana | G Major | 9 | 9B | 102 BPM | ||
| Thane To Dhyave Aakho Marwar O | Prakash Mali, Mahendra Singh, Daksha Prajapati | A Minor | 9 | 8A | 102 BPM | ||
| Nako Maru Re Kanha Pichkari | Vaishali Samant | A♭ Minor | 9 | 1A | 111 BPM | ||
| Shree Jagannath | Namita Agrawal | D♭ Major | 5 | 3B | 128 BPM | ||
| Mor Mukut Wale Ghungrali Lat Wale | Vandana Bhardwaj | C Major | 6 | 8B | 137 BPM | ||
| Paida Bhitare Pani | Sonu Nigam | G Major | 7 | 9B | 81 BPM | ||
| Ek Jholi Me Phool Bhare Hai | Paras Jain | F♯ Major | 8 | 2B | 82 BPM | ||
| Shree Jeen Mata Mangalpath 1st Adhyay - Shree Jeen Mata Mangalpath Saurabh Madhukar Keshav Madhukar | Saurabh Madhukar, Keshav Madhukar | B♭ Minor | 8 | 3A | 93 BPM | ||
| Jo Ram Naam Gud Gayega | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Viyakhan Hoige | Preetam Bhartwan, Meena Rana | G Major | 5 | 9B | 146 BPM |