5 Pieces for String Quartet: No. 5, Alla Tarantella by Erwin Schulhoff, Prezioso String Quartet Song Details

"5 Pieces for String Quartet: No. 5, Alla Tarantella" by Erwin Schulhoff, Prezioso String Quartet had its release date on July 3, 2012. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. 5 Pieces for String Quartet: No. 5, Alla Tarantella's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Prezioso String Quartet". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Estonia. Based on our statistics, 5 Pieces for String Quartet: No. 5, Alla Tarantella's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With 5 Pieces for String Quartet: No. 5, Alla Tarantella by Erwin Schulhoff, Prezioso String Quartet having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -11.86 dB
Acousticness: 96%
Danceability: 41%
Energy: 50%
Instrumentalness: 92%
Liveness: 8%
Loudness: 80%
Speechiness: 4%
Valence: 18%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Reflection, Op. 31a	Oliver Knussen, Tamsin Waley-Cohen, Huw Watkins	A Major	2	11B	82 BPM
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato)	Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu	D♭ Major	0	3B	104 BPM
Sextet for Wind Quintet & Piano, FP 100: II. Divertissement: Andantino	Francis Poulenc, Philippe Bernold, Olivier Doise, Ronald Van Spaendonck, Laurent Lefèvre, Hervé Joulain, Alexandre Tharaud	D Major	1	10B	72 BPM
Piano Trio No. 1 in D minor, Op. 32: 2. Scherzo: Allegro molto	Anton Arensky, Beaux Arts Trio	F Major	2	7B	86 BPM
Landschaften, Op. 26: No. 2, Alle Frauen weinen. Sehr ruhig	Erwin Schulhoff, Doris Soffel, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht	F Major	3	7B	158 BPM
Prokofiev: String Quartet No. 2, Op. 92: I. Allegro sostenuto	Sergei Prokofiev, Quartetto Italiano	A Major	2	11B	82 BPM
Phantasy Quintet: II. Scherzo	Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes	A Major	2	11B	82 BPM
Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale	Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus	A Major	2	11B	82 BPM
Nielsen: Violin Sonata No. 2 in G Minor, Op. 35: II. Molto adagio	Carl Nielsen, Leif Ove Andsnes, Christian Tetzlaff	B♭ Minor	0	3A	80 BPM
Suite de danzas criollas, Op. 15: I. Adagietto pianissimo	Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor	G Major	0	9B	144 BPM
Lullaby	Rebecca Clarke, Geneviève Laurenceau, Jean-Frédéric Neuburger	A Major	2	11B	82 BPM
Svanevit Suite, Op. 54: III. Tärnorna med rosor	Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon	C Major	1	8B	85 BPM
Liebermann: Gargoyles, Op. 29: II. Adagio semplice, ma con molto rubato	Lowell Liebermann, Stephen Hough	A♭ Major	0	4B	99 BPM
Damase: Berceuse pour cor et piano, Op. 19	Jean-Michel Damase, David Pyatt, Martin Jones	B♭ Major	0	6B	69 BPM
Viola Sonata: II. Vivace	Rebecca Clarke, Philip Dukes, Sophia Rahman	E Major	0	12B	118 BPM
The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree	Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu	B♭ Major	0	6B	86 BPM
Sinfonia Concertante, Op. 125: I. Andante	Sergei Prokofiev, The Pilsen Philharmonic Orchestra, Chuhei Iwasaki, Michał Balas	A Major	2	11B	82 BPM
Scaramouche pour 2 pianos: Vif	Darius Milhaud, Edouard Exerjean, Philippe Corre	E Minor	1	9A	183 BPM
String Quartet No. 6 in F Minor, Op. 80: III. Adagio	Felix Mendelssohn, Doric String Quartet	A♭ Major	0	4B	127 BPM
Quatuor pour la fin du Temps: III. Abîme des oiseaux	Olivier Messiaen, Martin Fröst	G Major	0	9B	131 BPM
Duo Concertant, K054: V. Dithyrambe	Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins	A Major	2	11B	82 BPM
String Quartet in F Major, 2nd Movement	Maurice Ravel, vision string quartet	A Major	2	11B	82 BPM
Dutilleux: Au gré des ondes: I. Prélude en berceuse	Henri Dutilleux, Anne Queffélec	C Major	0	8B	75 BPM
Poem for String Quartet	Rebecca Clarke, Barbican Quartet	A Major	2	11B	82 BPM
Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones)	Maurice Ravel, Ensemble Ouranos	A Major	2	11B	82 BPM