P.D.Q.Bach, David Robinson, Peter Schickele's 'Sonata da circo, S. 3 Ring: IV. Toccata Ecdysiastica' had a release date set for August 1, 1995. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "PDQ Bach: The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Based on our statistics, Sonata da circo, S. 3 Ring: IV. Toccata Ecdysiastica's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Sonata da circo, S. 3 Ring: IV. Toccata Ecdysiastica by P.D.Q.Bach, David Robinson, Peter Schickele having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Red Bean Poem | The Royal Wind Music | E♭ Minor | 0 | 2A | 87 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Scaramouche, Op. 165c: II. Modere | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 168 BPM | ||
| Four Folk Song Upsettings | Peter Schickele, Dana Krueger, Peter Lurye | E Major | 3 | 12B | 118 BPM | ||
| Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie - Allegretto scherzando | Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra | D Major | 1 | 10B | 91 BPM | ||
| Trumpet Concerto in E-Flat Major, S. 49: II. Andante | Johann Nepomuk Hummel, Wynton Marsalis, Raymond Leppard, National Philharmonic Orchestra | A♭ Major | 1 | 4B | 105 BPM | ||
| Tomasi: Trumpet Concerto: I. Allegro - Cadenza | Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos | F Major | 2 | 7B | 113 BPM | ||
| Dukas: Villanelle | Paul Dukas, Dennis Brain, Gerald Moore | C Major | 0 | 8B | 69 BPM | ||
| Grand Canyon Suite: 3. On the Trail | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 80 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: III. Andante | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| Como aceite | Gabriel Andrés Gallegos | E♭ Major | 0 | 5B | 75 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | C Major | 2 | 8B | 173 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: II. Allegro vivace | Oskar Böhme, Center City Brass Quintet, Jack Sutte | C Minor | 1 | 5A | 156 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): IV. Variazione II | Ernst Krähmer, Claudio Ferrarini | C Major | 2 | 8B | 173 BPM | ||
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| Debate entre la Sombra y la Hoguera | Adán Ramírez | B Major | 0 | 1B | 73 BPM | ||
| Dr. Merryheart: IX. The Dance Of Merryheart - Merryhearts Tanz | RTÉ National Symphony Orchestra, Havergal Brian | C Major | 3 | 8B | 104 BPM | ||
| Ma mère l'oye, M. 60 (Version for Orchestra): II. Petit poucet | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Minor | 1 | 5A | 79 BPM | ||
| Prairie Light, 3 Texas Watercolors of Georgia O'Keeffe: III. Starlight Night | Dan Welcher, Honolulu Symphony Orchestra, Donald Johanos | A Major | 0 | 11B | 120 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 16. At the Border | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | C Major | 2 | 8B | 173 BPM | ||
| A Tale of Luck and Deception | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Major | 1 | 10B | 77 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): V. Variation IV | Saverio Mercadante, Claudio Ferrarini | C Major | 2 | 8B | 173 BPM | ||
| Riessler & Bach, JS: Intro / Air from the Orchestral Suite No. 3, BWV 1068 (Arr. Riessler for Clarinet Ensemble) | Johann Sebastian Bach, Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Wood Notes: I. Singing River: Moderately slow | William Grant Still, Fort Smith Symphony, John Jeter | F Minor | 0 | 4A | 112 BPM | ||
| Sinfonietta, Op. 79: I. Intrada. Festivo, tempo di marcia | Boris Papandopulo, I Solisti di Zagreb, Sreten Krstic | A♭ Major | 2 | 4B | 114 BPM |