Ma mère l'oye, M. 60 (Version for Orchestra): II. Petit poucet by Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek Song Details

"Ma mère l'oye, M. 60 (Version for Orchestra): II. Petit poucet" by Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek had its release date on January 1, 1991. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Ravel: Works for Orchestra". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Ma mère l'oye, M. 60 (Version for Orchestra): II. Petit poucet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Ma mère l'oye, M. 60 (Version for Orchestra): II. Petit poucet by Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Music Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -28.69 dB
Acousticness: 99%
Danceability: 14%
Energy: 5%
Instrumentalness: 72%
Liveness: 21%
Loudness: 52%
Speechiness: 4%
Valence: 11%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Billy the Kid: No. 6, Celebration	Aaron Copland, Colorado Symphony, Andrew Litton	D Major	0	10B	92 BPM
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato	Ralph Vaughan Williams, Hallé, Sir Mark Elder	A Minor	0	8A	81 BPM
Symphonic Dances, Op. 64: III. Allegro giocoso	Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner	A Major	1	11B	172 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	F Minor	2	4A	117 BPM
Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet	Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra	C Minor	0	5A	124 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	A♭ Major	1	4B	109 BPM
Ma mère l'oye, M. 60 (Version for Orchestra): V. Le jardin féerique	Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek	C Major	0	8B	89 BPM
Eine Alpensinfonie, Op. 64: II. Sonnenaufgang	Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan	A Major	6	11B	68 BPM
Symphony No. 9: Ig. Wie von Anfang	Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan	D Major	2	10B	90 BPM
4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum	Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam	C Major	0	8B	76 BPM
Two Elegiac Melodies, Op. 34: I. Heart-Wounds	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	A♭ Major	0	4B	115 BPM
The Planets, Op. 32: III. Mercury, the Winged Messenger	Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit	G Major	0	9B	76 BPM
Two Eligiac Melodies Last Spring	Academy of St. Martin in the Fields	G Major	1	9B	88 BPM
The Tender Land Suite: I. Introduction and Love Music	Aaron Copland, Elgin Symphony Orchestra, Robert Hanson	D Major	3	10B	73 BPM
Scheherazade: Storm at Sea	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	C Major	4	8B	91 BPM
Symphony No. 3 in C Minor, Op. 78, "Organ": II. Poco adagio	Camille Saint-Saëns, Charles Münch, Berj Zamkochian, Boston Symphony Orchestra	D♭ Major	1	3B	90 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Manfred Symphony, Op. 58, TH.28: 3. Andante con moto	Pyotr Ilyich Tchaikovsky, Czech Philharmonic, Semyon Bychkov	F Major	1	7B	114 BPM
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Wieder zurückhaltend	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	F♯ Major	1	2B	132 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	F Major	0	7B	87 BPM
Symphony No. 2 in E Minor, Op. 27: Ic. Moderato	Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin	E Major	1	12B	89 BPM
Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer)	Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša	C Major	1	8B	174 BPM
Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto	Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini	A♭ Major	4	4B	103 BPM