4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez Song Details

"4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez had its release date on January 1, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 9 in Bartók: Concerto for Orchestra; Orchestral Pieces, Op. 12 by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of 4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

Music Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 15%
Loudness: -18.691 dB
Acousticness: 90%
Danceability: 14%
Energy: 8%
Instrumentalness: 64%
Liveness: 10%
Loudness: 69%
Speechiness: 4%
Valence: 4%

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