"Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum" by Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam had its release date on January 31, 1995. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 11 in Debussy-Caplet: Children's Corner Suite by Andre Caplet. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum by Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Five Little Pieces (2006 - Remaster): 4. Lullaby for a Modern Baby (Very slow) | Frederick Delius, Bournemouth Sinfonietta/Eric Fenby/Elena Duran, Eric Fenby, Bournemouth Sinfonietta | G Major | 0 | 9B | 79 BPM | ||
| 2 Elegiac Melodies, Op. 34: II. The Last Spring | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 99 BPM | ||
| Enescu: String Octet in C Major, Op. 7: III. Lentement | George Enescu, Quatuor Ébène, Belcea Quartet | E Major | 1 | 12B | 84 BPM | ||
| 4 Tone Poems After Arnold Böcklin, Op. 128: No. 1, Der geigende Eremit | Max Reger, Gävle Symphony Orchestra, Jaime Martin | A Major | 1 | 11B | 78 BPM | ||
| A Downland Suite: II. Elegy | John Ireland, Sinfonia Of London, John Wilson | E♭ Major | 0 | 5B | 57 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | E Major | 1 | 12B | 84 BPM | ||
| No. 1, Allegretto scherzando | Antonín Dvořák, Scharoun Ensemble | G Minor | 1 | 6A | 93 BPM | ||
| 5 Ballades Françaises: V. L’adieu en barque | Andre Caplet, Roderick Williams, Roger Vignoles | B Major | 0 | 1B | 71 BPM | ||
| Aurora Reverb | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| Liebermann: Gargoyles, Op. 29: II. Adagio semplice, ma con molto rubato | Lowell Liebermann, Stephen Hough | A♭ Major | 0 | 4B | 99 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Fauré: Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande. Molto adagio | Gabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne | D Minor | 0 | 7A | 79 BPM | ||
| La Cinquième Saison, Op. 15: I. Le Secret des feuilles: L'arbre aux légendes 2 | Corentin Apparailly, Julien Martineau, Orchestre Victor Hugo, Jean-François Verdier | E Major | 1 | 12B | 84 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Le miroir de Jesus, mysteres du Rosaire: Miroir de joie: Nativite | Andre Caplet, Brigitte Desnoues, Denis Dupays, Maîtrise de Radio France, Orchestre des Pays de Savoie, Mark Foster | G Minor | 0 | 6A | 99 BPM | ||
| Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 114 BPM | ||
| 3 Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Céline Moinet, Florian Uhlig | A Major | 5 | 11B | 73 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | B♭ Minor | 2 | 3A | 172 BPM | ||
| Ravel: Ma mère l'oye, M. 60: IV. Les entretiens de la Belle et de la Bête | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 95 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande (Andante) | Edvard Grieg, Orpheus Chamber Orchestra | G Major | 0 | 9B | 93 BPM | ||
| Norfolk Rhapsody No. 2 | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | F Major | 0 | 7B | 99 BPM |