"5 Ballades Françaises: V. L’adieu en barque" by Andre Caplet, Roderick Williams, Roger Vignoles had its release date on January 21, 2022. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Roderick Williams, Roger Vignoles's "Mirages: The Art of French Song" album is number 9 out of 32. On top of that, United Kingdom appears to be the country where this track was created. 5 Ballades Françaises: V. L’adieu en barque is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 5 Ballades Françaises: V. L’adieu en barque by Andre Caplet, Roderick Williams, Roger Vignoles to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lekeu: Adagio pour quatuor d'orchestre, Op. 3 | Guillaume Lekeu, Armin Jordan, Orchestre Philharmonique de Monte-Carlo | C Major | 3 | 8B | 123 BPM | ||
| 3 Romanzen, Op. 22: No. 1 in D-Flat Major: Andante molto (Arr. F. Benda for clarinet and piano) | Clara Schumann, Francois Benda, Elina Gotsouliak | A Major | 1 | 11B | 140 BPM | ||
| Feldeinsamkeit | Johannes Brahms, Fabio Di Casola | G Minor | 1 | 6A | 124 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| The Bells, Op. 35: I. Allegro ma non tanto (The Silver Sleigh Bells) (Arr. for Piano by Trifonov) - Live at Philharmonie, Berlin / 2019 | Sergei Rachmaninoff, Daniil Trifonov | A♭ Major | 1 | 4B | 136 BPM | ||
| Symphonic Dances, Op. 64: III. Allegro giocoso | Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner | A Major | 1 | 11B | 172 BPM | ||
| Quintet for Flute, Oboe, Clarinet, Bassoon and Piano: II. Adagio | Andre Caplet, Laurent Wagschal, Ensemble Initium | G Minor | 0 | 6A | 92 BPM | ||
| On Hearing The First Cuckoo In Spring | Frederick Delius, Barry Wordsworth, London Symphony Orchestra | E Minor | 0 | 9A | 77 BPM | ||
| Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo | Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Major | 0 | 7B | 79 BPM | ||
| Le miroir de Jesus, mysteres du Rosaire: Miroir de joie: Annonciation | Andre Caplet, Brigitte Desnoues, Denis Dupays, Maîtrise de Radio France, Orchestre des Pays de Savoie, Mark Foster | F Major | 0 | 7B | 83 BPM | ||
| V. Elegi. Till Carin, min hustru (Elegy. To Carin, my wife) | Hugo Alfvén, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 79 BPM | ||
| Panis Angelicus | Andre Caplet, Nathalie Geoffray, Jean-Charles Fregosi, Bernard Tetu, Choeurs De Lyon, Hanna Schaer | A♭ Major | 1 | 4B | 78 BPM | ||
| Serenade Lyrique | Edward Elgar, English Symphony Orchestra, William Boughton | E♭ Minor | 1 | 2A | 75 BPM | ||
| Enigma Variations, Op. 36: Theme. Andante | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | G Minor | 0 | 6A | 83 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Divertissements: II. À L’Espagnole | Andre Caplet, Elizabeth Hainen | E♭ Minor | 0 | 2A | 89 BPM | ||
| Phantasy Quintet: IV. Burlesca: Allegro moderato | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | A Major | 1 | 11B | 70 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| Symphony No. 6 in D Major, Op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | ||
| Mompou: Paisajes: No. 2, El lago | Federico Mompou, Leif Ove Andsnes | A Minor | 0 | 8A | 72 BPM | ||
| 4 Gesänge, Op. 43: No. 2, Die Mainacht (Arr. for Clarinet and Piano by R. Sévère) | Johannes Brahms, Raphaël Sévère, Adam Laloum | A♭ Major | 0 | 4B | 68 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| Musiikkia Sanomalehdistoön päivien juhlanäytäntöön, JS 137: Preludio | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 1 | 9B | 87 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM |