Oh Hiroshima's ' "Richard D. Anderson" was released on its scheduled release date, November 11, 2011. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Resistance is futile". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Richard D. Anderson's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Richard D. Anderson by Oh Hiroshima having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Richard D. Anderson | Oh Hiroshima | B Minor | 8 | 10A | 120 BPM | ||
| Molnet | Oh Hiroshima | D♭ Major | 1 | 3B | 128 BPM | ||
| Game of Tones | Glaston | E♭ Minor | 8 | 2A | 196 BPM | ||
| Cadence | Ranges | E♭ Minor | 3 | 2A | 99 BPM | ||
| Immersion | Meniscus | A Major | 7 | 11B | 164 BPM | ||
| Gnosis | Russian Circles | G Major | 9 | 9B | 104 BPM | ||
| The Murderer/Victim Monologues | The Seven Mile Journey | A♭ Major | 4 | 4B | 106 BPM | ||
| Stella Mori | I Hear Sirens | E Minor | 6 | 9A | 118 BPM | ||
| Orion | Glasgow Coma Scale | G Major | 7 | 9B | 93 BPM | ||
| Mother Belfast, Pt. 2 | And So I Watch You from Afar | A Minor | 5 | 8A | 91 BPM | ||
| The Nighttide Creatures | Those Who Ride With Giants | E Minor | 2 | 9A | 156 BPM | ||
| Antagonism | There's A Light | F♯ Minor | 7 | 11A | 90 BPM | ||
| Celestial | Lost in Kiev | A♭ Minor | 3 | 1A | 94 BPM | ||
| Ghost Horses | Tides From Nebula | D♭ Major | 9 | 3B | 131 BPM | ||
| Everything Was Black And White Except The City Lights | I Hear Sirens | A Minor | 8 | 8A | 141 BPM | ||
| Bare My Bones | Brontide | D Major | 6 | 10B | 105 BPM | ||
| Grit | Whisperwire | E Minor | 8 | 9A | 141 BPM | ||
| Ethel | Russian Circles | B Major | 7 | 1B | 178 BPM | ||
| Unmake the Wild Light | 65daysofstatic | C Minor | 8 | 5A | 163 BPM | ||
| Out of Nothing | Astralia | F Minor | 6 | 4A | 168 BPM | ||
| Cataclysm | When Waves Collide | D Minor | 4 | 7A | 90 BPM | ||
| The Outsider | Darkfield | E Minor | 7 | 9A | 120 BPM | ||
| Abyss of Light | Astralia | E♭ Major | 2 | 5B | 120 BPM | ||
| Distant Land | Silent Island | C Major | 3 | 8B | 98 BPM | ||
| Sure! Looks Real | Leech | A♭ Minor | 8 | 1A | 124 BPM |