"That all changes" by Jan-Peter De Graaff, Martin Van Hees had its release date on November 22, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Remgewogen". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, That all changes is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With That all changes by Jan-Peter De Graaff, Martin Van Hees having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beyond the Stars | Astrid Voix | F Minor | 0 | 4A | 70 BPM | ||
| Bartók: 44 Duos for Two Violins, Sz. 98: No. 11, Cradle Song | Béla Bartók, Andrew Watkinson, Ralph De Souza | E♭ Major | 0 | 5B | 67 BPM | ||
| String Quartet No. 1 Shades of Night: VI. Midnight | Kareem Roustom, Balourdet Quartet | E♭ Minor | 1 | 2A | 57 BPM | ||
| Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | ||
| 4 Etudes de rythme: Mode de valeurs et d'intensites (Mode of Durations and Intensities) | Olivier Messiaen, Håkon Austbø | E Major | 0 | 12B | 112 BPM | ||
| Orchestral Arches: VII. Simultaneous Mobiles & VIII. Towards Nirvana (Live) | Maya Badian, National Arts Centre Orchestra, Gary Kulesha | D♭ Major | 2 | 3B | 90 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | F Minor | 0 | 4A | 70 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| Variations for Orchestra, Op. 31: Variation IV. Walzertempo | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 1 | 4B | 108 BPM | ||
| Hymns, Prayers and Rituals, 3th Series: XII. The Story of Resurrection of Christ | G. I. Gurdjieff, Thomas de Hartmann, Mario Sollazzo | A Minor | 0 | 8A | 135 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Martinu: Piano Quartet No. 1, H. 287: II. Adagio | Bohuslav Martinů, Domus | D Minor | 1 | 7A | 85 BPM | ||
| In Memoriam Dylan Thomas: III. Dirge-Canons (Postlude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | F Minor | 0 | 4A | 70 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | F Minor | 0 | 4A | 70 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Minor | 0 | 4A | 70 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | F Minor | 0 | 4A | 70 BPM | ||
| A Mind in the Heart | Ivan Vukosavljević, Joana Gama | F Minor | 0 | 4A | 70 BPM | ||
| Gougalōn, Scenes from a Street Theatre: I. Prologue - Dramatic Opening of the Curtain - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | F Minor | 0 | 4A | 70 BPM | ||
| Every Four Minutes from Now On | Sarah Neutkens, Nederlands Saxofoon Octet | A♭ Major | 0 | 4B | 60 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM |