Der Rosenkavalier, Op.59 / Act 1: "Hat Sie schon einmal mit einem Kavalier" by Richard Strauss, Manfred Jungwirth, Yvonne Minton, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti Song Details

Richard Strauss, Manfred Jungwirth, Yvonne Minton, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti's 'Der Rosenkavalier, Op.59 / Act 1: "Hat Sie schon einmal mit einem Kavalier"' had a release date set for January 1, 1969. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. There are a total of 43 in the song's album "Strauss, R.: Der Rosenkavalier". In this album, this song's track order is #6. Der Rosenkavalier, Op.59 / Act 1: "Hat Sie schon einmal mit einem Kavalier" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Der Rosenkavalier, Op.59 / Act 1: "Hat Sie schon einmal mit einem Kavalier" by Richard Strauss, Manfred Jungwirth, Yvonne Minton, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

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Popularity: 5%
Loudness: -16.381 dB
Acousticness: 95%
Danceability: 38%
Energy: 38%
Instrumentalness: 0%
Liveness: 26%
Loudness: 73%
Speechiness: 15%
Valence: 34%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin	D♭ Minor	4	12A	173 BPM
Fidelio, Op. 72 (Ed. Lühning & Didion): Overture	Ludwig van Beethoven, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado	E Minor	7	9A	98 BPM
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen	Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann	D♭ Major	1	3B	66 BPM
Piano Concerto No. 2 Op. 102 in F Major: II. Andante	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	C Minor	0	5A	78 BPM
Overture "A Midsummer Night's Dream", Op. 21	Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa	E Major	1	12B	139 BPM
Divertimento: II. Waltz. Allegretto, con grazia	Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop	D Minor	7	7A	148 BPM
D'un matin de printemps	Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic	C Major	1	8B	130 BPM
Roland Furieux: II. Andante tranquillo	Augusta Holmès, Michael Francis, Deutsche Staatsphilharmonie Rheinland-Pfalz	E♭ Major	1	5B	88 BPM
Suite No. 3, P. 172: IV. Passacaglia: Maestoso	Ottorino Respighi, RTÉ National Symphony Orchestra	G Minor	2	6A	119 BPM
Symphony No. 3 in E flat, Op. 97 - "Rhenish": 4. Feierlich	Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini	E♭ Minor	1	2A	75 BPM
Also Sprach Zarathustra Op.30: Von der Hinterweltlern (Of the Backworldsmen)	Richard Strauss, London Philharmonic Orchestra, Klaus Tennstedt	A♭ Major	0	4B	93 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version)	Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen	E♭ Major	1	5B	76 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM
Carmen Suite No. 1: 3. Intermezzo	Georges Bizet, Orchestre de Paris, Semyon Bychkov	B♭ Major	0	6B	74 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester	E♭ Major	1	5B	113 BPM
Also sprach Zarathustra, Op. 30: V. Das Grablied	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	F♯ Minor	1	11A	81 BPM
4 Lieder, Op. 27, TrV 170: No. 4, Morgen!	Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen	G Major	0	9B	171 BPM
Götterdämmerung, Prologue: Vorspiel	Richard Wagner, Lance Ryan, Johannes Martin Kränzle, Jochen Schmeckenbecher, Gregory Frank, Susan Bullock, Anja Fidelia Ulrich, Claudia Mahnke, Meredith Arwady, Angel Blue, Britta Stallmeister, Jenny Carlstedt, Katharina Magiera, Chor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester, Sebastian Weigle	C Major	2	8B	95 BPM
Parsifal, Act III: Prelude - Live	Richard Wagner, Bayreuth Festival Orchestra, Pablo Heras-Casado	F♯ Major	0	2B	87 BPM
Enigma Variations, Op. 36: Var. 2. Allegro "H.D.S-P."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	1	6A	113 BPM
2 Elegiac Melodies, Op. 34: No. 1, The Wounded Heart	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	G Major	2	9B	72 BPM
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	B♭ Major	2	6B	73 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano)	Richard Strauss, Angela Hewitt	A Major	2	11B	143 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	F Major	0	7B	87 BPM
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	E Minor	1	9A	125 BPM