Ann Rachlin's 'Von Rothbart's Deceitful Trick' had a release date set for 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Swan Lake -The Story Of The Ballet". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Von Rothbart's Deceitful Trick's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Von Rothbart's Deceitful Trick by Ann Rachlin having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chapter 12: Tina In Danger | Bibi and Tina | E Major | 3 | 12B | 89 BPM | ||
| The Macau Bride Ballet Suite, Op. 34: IV. The First Glance | Xiaogang Ye, Jia Lu, Macau Orchestra | E♭ Minor | 0 | 2A | 82 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| バレエ組曲「眠りの森の美女」 序奏 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | B Minor | 3 | 10A | 64 BPM | ||
| La Source, Act II: No. 22 Mazurka | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 1, Introduction - No. 2, Dance of the Cock and Hens | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 115 BPM | ||
| Aida: Ballet Music | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Major | 3 | 7B | 123 BPM | ||
| Bow and Beat | Classical Rhythmic Resonance | A Minor | 2 | 8A | 92 BPM | ||
| In the Hood | Ede Rezvanov, Onlyfire | D Minor | 1 | 7A | 95 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Polka (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 148 BPM | ||
| Quantum Flow | Jarko Vento | G Major | 3 | 9B | 121 BPM | ||
| Overture: At Long Last Love / You're the Top / I Get a Kick Out of You / It's De-Lovely / Just One of Those Things | Cole Porter | A♭ Major | 1 | 4B | 103 BPM | ||
| Mary Poppins Arrives | Marc Shaiman | F♯ Major | 1 | 2B | 114 BPM | ||
| The Fairy Godmother And The Spring Fairy | Ann Rachlin | C Minor | 1 | 5A | 117 BPM | ||
| Teil 1 - Folge 15: Am jüngsten Tag | Morgan & Bailey, Markus Topf, Joseline Gassen, André Beyer, Joachim Tennstedt, Pat Murphy, Daniela Reidies, Marc Schülert, Gabriele Libbach, Katja Brügger, Ulrike Möckel, Gabrielle Pietermann, Sascha von Zambelly, Andy Muhlack, Robin Brosch | B Major | 7 | 1B | 78 BPM | ||
| The Seasons, Op. 67: X. Barcarolle | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Chapter 41 - Geronimo Stilton, Book 22: The Secret of Cacklefur Castle | Geronimo Stilton, Bill Lobley | D♭ Major | 4 | 3B | 102 BPM | ||
| Intermission* - Instrumental | André Previn | G Major | 1 | 9B | 54 BPM | ||
| The Winter's Tale, Act I Scene 1: Leontes Confronts Polixenes | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | D♭ Minor | 3 | 12A | 144 BPM | ||
| Minuet In G K1 | Ann Rachlin | G Major | 0 | 9B | 82 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Mandy Rescues The Bee | Ann Rachlin | D♭ Major | 1 | 3B | 80 BPM | ||
| Act II, ii, 9 Grand pas Classique: Corps de Ballet (Minkus) | Ludwig Minkus, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 114 BPM |