クロード・ドビュッシー, フランス国立リヨン管弦楽団, レナード・スラットキン's 'Pour le piano, L. 95: II. Sarabande (Orch. M. Ravel)' had a release date set for April 1, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Ravel: Orchestral Works, Vol. 3 – Orchestrations". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Pour le piano, L. 95: II. Sarabande (Orch. M. Ravel) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pour le piano, L. 95: II. Sarabande (Orch. M. Ravel) by クロード・ドビュッシー, フランス国立リヨン管弦楽団, レナード・スラットキン having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
| Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 91 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia - Radio Edit | Clara Schumann, Alexandra Dariescu, Philharmonia Orchestra, Tianyi Lu | A♭ Major | 0 | 4B | 175 BPM | ||
| 24 Preludes, Op. 11: No. 11 in B Major | Alexander Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 72 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Rêverie, L. 68 | Claude Debussy, Menahem Pressler | F♯ Minor | 0 | 11A | 160 BPM | ||
| Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | ||
| Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | ||
| Fracture | Stephan Moccio | D Major | 0 | 10B | 85 BPM | ||
| Deux Arabesques: No. 1 in E major | Peter Schmalfuss | F♯ Minor | 0 | 11A | 74 BPM | ||
| Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | ||
| Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
| Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Daniel Barenboim | D♭ Major | 0 | 3B | 66 BPM | ||
| Petite suite, L. 65: No. 1, En bateau (Orch. H. Buser) | Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル | E♭ Major | 1 | 5B | 92 BPM | ||
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Deux arabesques, L. 66: No. 1 Andante con moto | Claude Debussy, Menahem Pressler | D♭ Major | 1 | 3B | 74 BPM | ||
| Suite Bergamasque, L. 75: Passepied | Claude Debussy, Martin Jones | F♯ Minor | 0 | 11A | 90 BPM | ||
| Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
| 3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall) | Franz Liszt, Nora von Marschall | B♭ Major | 0 | 6B | 85 BPM | ||
| 6 Preludes: No. 2, Très calme | Jean Roger-Ducasse, Joel Hastings | E Major | 0 | 12B | 123 BPM | ||
| Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM |