Lata Mangeshkar, Kishore Kumar, R. D. Burman's ' "Kanchi Re Kanchi Re" was released on its scheduled release date, December 9, 1971. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in R. D. Burman's "Hare Rama Hare Krishna" album is number 11 out of 11. On top of that, India appears to be the country where this track was created. In terms of popularity, Kanchi Re Kanchi Re is currently average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kanchi Re Kanchi Re by Lata Mangeshkar, Kishore Kumar, R. D. Burman to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dil Tadap Tadap Ke Kah Raha | Mukesh, Lata Mangeshkar, Salil Chowdhury | A♭ Major | 4 | 4B | 151 BPM | ||
| Bachpan Ki Mohabbat | Naushad, Shakeel Badayuni, Lata Mangeshkar | A Minor | 2 | 8A | 87 BPM | ||
| Deewana Mujhsa Nahin | Mohammed Rafi, R. D. Burman | A♭ Major | 3 | 4B | 134 BPM | ||
| Ek Sanam Chahiye Aashiqui Ke Liye (Female Version) | Anuradha Paudwal, Super Cassettes Industries Private Limited, Sameer Anjaan | C Major | 7 | 8B | 151 BPM | ||
| Kitna Badal Gaya Insaan - Dekh Tere Sansar | Pradeep Kumar | F♯ Major | 5 | 2B | 68 BPM | ||
| Commentry Tabassum And Khwab Ho Tum Ya Koi Haqeeqat | Tabassum, Kishore Kumar, S. D. Burman | G Major | 4 | 9B | 121 BPM | ||
| Roop Tera Mastana (From "Aradhana") | Kishore Kumar | A♭ Minor | 5 | 1A | 83 BPM | ||
| Shama Kahe Parwane Se Lofi Flip | Raahi, Kishore Kumar | B♭ Major | 4 | 6B | 177 BPM | ||
| Doston Se Pyar Kiya - From 'Shaan' / Soundtrack Version | Usha Uthup, R. D. Burman | C Major | 6 | 8B | 133 BPM | ||
| Mera Piya Ghar Aaya | Kavita Krishnamurthy | G Minor | 10 | 6A | 129 BPM | ||
| Jaag Dard E Ishq Jaag | Hemant Kumar, Lata Mangeshkar | A Major | 3 | 11B | 154 BPM | ||
| Tum Ko Dekha To Yeh Khayal Aaya | Jagjit Singh, Chitra Singh | D Major | 3 | 10B | 91 BPM | ||
| Udja Kale Kawan | Udit Narayan | D♭ Major | 6 | 3B | 139 BPM | ||
| Insaan Bano | Naushad, Shakeel Badayuni, Mohammed Rafi | A Minor | 2 | 8A | 87 BPM | ||
| Madhuban Khushboo Deta Hai - Duet | K. J. Yesudas, Anuradha Paudwal | D♭ Major | 4 | 3B | 126 BPM | ||
| Gunche Lage Hain Kahne | Shailendra Singh | A Minor | 4 | 8A | 75 BPM | ||
| Dil Hoom Hoom Kare - Male Version | Bhupen Hazarika | F♯ Major | 5 | 2B | 100 BPM | ||
| Seene Mein Jalan | Suresh Wadkar | G Major | 5 | 9B | 174 BPM | ||
| Kaun Disha Mein Leke Chala | Jaspal Singh, Hemlata | G Minor | 5 | 6A | 89 BPM | ||
| Jhanjharia - Male Version | Abhijeet | D Major | 9 | 10B | 118 BPM | ||
| Faza Bhi Hai Jawan - I | Salma Agha | A Major | 3 | 11B | 141 BPM | ||
| Saiyan Dil Mein Aana Re | Shamshad Begum | C Major | 4 | 8B | 103 BPM | ||
| Zindagi Ka Naam Dosti | Nitin Mukesh, Mohammed Aziz | F♯ Minor | 7 | 11A | 92 BPM | ||
| Tere Bina Zindagi Se (From "Aandhi") | Lata Mangeshkar, Kishore Kumar | E♭ Major | 4 | 5B | 95 BPM | ||
| Dukh Sukh Ki | Chandrashekhar Gadgil, R. D. Burman | B Minor | 4 | 10A | 128 BPM |