J. フランセ, 池田昭子(オーボエ), 松本健司(クラリネット), 菅原恵子(ファゴット)'s 'ディヴェルティスマンより III. Elégie' had a release date set for April 24, 2009. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. ディヴェルティスマンより III. Elégie's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 田園のコンセール, so we believe that "ディヴェルティスマンより III. Elégie" is a single. Based on our statistics, ディヴェルティスマンより III. Elégie's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of ディヴェルティスマンより III. Elégie by J. フランセ, 池田昭子(オーボエ), 松本健司(クラリネット), 菅原恵子(ファゴット) is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. P. Gaubert) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | E Minor | 0 | 9A | 73 BPM | ||
| Hackney | Clement Woodcock, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 147 BPM | ||
| Symphony No. 4 in C Minor, Op. 43: IV. Largo | Dmitri Shostakovich, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | C Minor | 0 | 5A | 130 BPM | ||
| 無伴奏フルートのための組曲 III. Saltarelle | J. フランセ, 神田寛明(フルート) | A Minor | 0 | 8A | 145 BPM | ||
| Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
| Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IIa. Andante | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Rivulet Of Truth | Danke Timi Briggs | G Minor | 2 | 6A | 121 BPM | ||
| Tríptico | Gabriel Andrés Gallegos | G Major | 2 | 9B | 140 BPM | ||
| Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
| Holocaust - In memoriam: II. To Victory | Maya Badian, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 73 BPM | ||
| A Songe Called Trumpetts | Robert Parsons, The Royal Wind Music, Paul Leenhouts | F♯ Major | 0 | 2B | 142 BPM | ||
| クラリネット五重奏曲 I. Adagio - Allegro | J. フランセ, 磯部周平(クラリネット), モルゴーア・クァルテット, 荒井英治(ヴァイオリン), 戸澤哲夫(ヴァイオリン), 小野富士(ヴィオラ), 藤森亮一(チェロ) | B♭ Major | 1 | 6B | 122 BPM | ||
| Symphony No. 4 "Autochthonous": II. Slowly | William Grant Still, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | ||
| The Human Comedy, Op. 37: Gavotte & Trio | Dmitri Shostakovich, Malmö Opera Orchestra, Mark Fitz-Gerald | F Minor | 3 | 4A | 123 BPM | ||
| Sensemaya | Silvestre Revueltas, Orquesta Sinfónica Carlos Chávez | F♯ Major | 4 | 2B | 100 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Da Da DDD | Mike Bish | G Major | 0 | 9B | 110 BPM | ||
| Hungarian Sketches, Sz. 97: IV. Slightly Tipsy | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 1 | 4B | 55 BPM | ||
| Piano Concerto in E Major: II. Danse. Vif | Reynaldo Hahn, William Youn, Rundfunk-Sinfonieorchester Berlin, Valentin Uryupin | E Minor | 1 | 9A | 78 BPM | ||
| Egmont, complete incidental music, Op. 84: viii. Klärchens Tod: Larghetto (The Death of Clärchen) | Beethoven, Maurice Abravanel, Walther Reyer, Utah Symphony Orchestra, Netania Davrath | E Minor | 2 | 9A | 82 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": II. Poco allegretto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 0 | 8B | 77 BPM | ||
| Altar de Viento: IV. Tornado | Gabriela Ortiz, Orquesta Sinfónica de Heredia, Alejandro Escuer, Eddie Mora | C Minor | 3 | 5A | 132 BPM |