John Addison's ' "The Tom Jones Strut" was released on its scheduled release date, 1963. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. The Tom Jones Strut's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Tom Jones". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Canada. In terms of popularity, The Tom Jones Strut is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Tom Jones Strut by John Addison having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Te Deum, H. 146: No. 1, Prelude | Marc-Antoine Charpentier, National Philharmonic Orchestra, Charles Gerhardt | D Major | 3 | 10B | 118 BPM | ||
| Alfred Hitchcock présente | The Los Angeles Radio TV Symphony Orchestra | C Minor | 2 | 5A | 98 BPM | ||
| Duel In the Sun - Prelude and Legend | Dimitri Tiomkin, Laurie Johnson, The London Studio Symphony Orchestra, The John McCarthy Singers | G Major | 1 | 9B | 76 BPM | ||
| La Petite Tonkinoise | Vincent Scotto & Henri Christiné, Palm Court Theatre Orchestra, Anthony Godwin | C Major | 2 | 8B | 110 BPM | ||
| The Charge Of The Light Brigade | John Addison | G Minor | 4 | 6A | 85 BPM | ||
| Widerstehe doch der Sünde, BWV 54: Aria. Wer Sünde tut, der ist vom Teufel | Terence Deadman, Phillip Bell, John Addison, Sharon Eckman, Lawrence Wallington, Simon Preece, Martin Nelson, Maida Vale Singers, Ieuan Jones, Glen Capra, Christopher Dee | E Major | 2 | 12B | 108 BPM | ||
| Centennial: Main Theme | John Addison, Rumon Gamba, BBC Concert Orchestra | F Major | 1 | 7B | 128 BPM | ||
| Jonah-Man Jazz: The waves grew high | Michael Hurd, John Addison, Peter Shafran, New London Children's Choir, The New London Orchestra, Ronald Corp | G Major | 0 | 9B | 110 BPM | ||
| The Show's Over | Howard Shore | C Minor | 2 | 5A | 93 BPM | ||
| The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
| Main Theme from "The Saint" | Edwin Astley & His Orchestra | A♭ Major | 5 | 4B | 175 BPM | ||
| Emmerdale Farm (From 'Hit the Road to Themeland' LP) | The Tony Hatch Orchestra | F Major | 2 | 7B | 111 BPM | ||
| Pride and Prejudice (From "Pride and Prejudice") [BBC 1995 Adaptation] | Regency Players | B♭ Major | 2 | 6B | 126 BPM | ||
| Captain Coram's Kids: Here in the pleasant Court Room | Michael Hurd, John Addison, New London Children's Choir, The New London Orchestra, Ronald Corp | G Major | 0 | 9B | 110 BPM | ||
| A Bridge Too Far | John Addison, Rumon Gamba, BBC Concert Orchestra | B♭ Major | 3 | 6B | 120 BPM | ||
| Laurel & Hardy Theme (Dance of the Cuckoos) | Laurel and Hardy | B♭ Major | 3 | 6B | 128 BPM | ||
| The Dancing Years: Waltz Of My Heart | Ivor Novello, Orchestra, James Shearman | E♭ Major | 1 | 5B | 76 BPM | ||
| A Grand Day Out | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | F Major | 3 | 7B | 120 BPM | ||
| Pineapple Rag / Gladiolus Rag - From "The Sting" Soundtrack | Marvin Hamlisch | B♭ Major | 5 | 6B | 177 BPM | ||
| Ich hatte viel Bekümmernis, BWV 21: Sinfonia | Terence Deadman, Phillip Bell, John Addison, Sharon Eckman, Lawrence Wallington, Simon Preece, Martin Nelson, Maida Vale Singers, Ieuan Jones, Glen Capra, Christopher Dee | B Minor | 0 | 10A | 62 BPM | ||
| Captain Coram's Kids: I am a little Foundling | Michael Hurd, John Addison, New London Children's Choir, The New London Orchestra, Ronald Corp | G Major | 0 | 9B | 110 BPM | ||
| Broadway Lights | Parry Music | D Major | 2 | 10B | 128 BPM | ||
| Exodus - Theme | Ernest Gold | E Minor | 2 | 9A | 85 BPM | ||
| Don Camillo : Monsignore ma non troppo - Part 1 | Alessandro Cicognini | C Major | 3 | 8B | 120 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Maschinen | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | B Major | 1 | 1B | 132 BPM |