Amit Kumar's ' "Main Ek Panchhi Matwala Re" was released on its scheduled release date, January 1, 1970. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 8 in Door Ka Raahi by Kishore Kumar, Irshad, A. Arshad, Shailendra. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Main Ek Panchhi Matwala Re is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Main Ek Panchhi Matwala Re by Amit Kumar is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thillana | M. L. Vasanthakumari | G Major | 8 | 9B | 129 BPM | ||
| Ami Swapne Tomay Dekhechhi | Sandhya Mukherjee | E♭ Major | 1 | 5B | 67 BPM | ||
| Aaya Na Humko Pyar Jatana | Suman Kalyanpur, Mukesh | G Major | 5 | 9B | 97 BPM | ||
| Baap Numbri Beta Dus Numbri | Mohammed Aziz, Amit Kumar | G Major | 7 | 9B | 190 BPM | ||
| Raat Muraadonwali | Mohammed Aziz, Kavita Krishnamurthy | G Major | 6 | 9B | 104 BPM | ||
| Ambuva Pe Panchhi Bawra | Mrs. Ghosh, G. M. Durrani | A♭ Major | 1 | 4B | 75 BPM | ||
| Nuktacheen Hai Ghame Dil | K. L. Saigal | F Major | 2 | 7B | 70 BPM | ||
| Jai Jai Krishna Daras Dikha De | Suman Kalyanpur, Laxmikant–Pyarelal | B♭ Major | 5 | 6B | 85 BPM | ||
| Bambai Ka Yeh Babu | Lata Mangeshkar, Laxmikant–Pyarelal | G Minor | 7 | 6A | 133 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| Commentary And Gunche Lage Hain Kahne | Shailendra Singh, Ameen Sayani | G Major | 6 | 9B | 80 BPM | ||
| Bhool Jaa Mere Dil (Male Version) | Manohar | B♭ Major | 7 | 6B | 174 BPM | ||
| Chat Ke Oopar Do Kabootar | Sudesh Bhosle, Manhar Udhas, Sonali Vajpayee, Sapna Mukherjee | G Minor | 7 | 6A | 98 BPM | ||
| O Shama Mujhe Phoonk De - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mukesh | F♯ Major | 9 | 2B | 95 BPM | ||
| Sapna Ban Sajan Aaye | Lata Mangeshkar | G Minor | 2 | 6A | 72 BPM | ||
| Bade Ghar Ke Bete Ke Nakhre Bade | Anuradha Paudwal, Kavita Krishnamurthy, Suresh Wadkar | F♯ Major | 8 | 2B | 78 BPM | ||
| Zara Sambhaliye Adayen Aapki | Lata Mangeshkar, Mahendra Kapoor | B Major | 2 | 1B | 147 BPM | ||
| Palkon Pe Lagalo | Kumar Sanu, Alka Yagnik | G Minor | 6 | 6A | 142 BPM | ||
| Duniya Mein Jeena Hai To (From "Yodha") | Amit Kumar, Kumar Sanu, Anupama | D Major | 9 | 10B | 113 BPM | ||
| Ek Tahzeebon Ka Sangam Hai | Kavita Krishnamurthy | A♭ Major | 5 | 4B | 107 BPM | ||
| Baadal Hain Barsaate Hain | Alisha Chinai, Amit Kumar | E Minor | 6 | 9A | 119 BPM | ||
| Sajna O Sajna | Hemlata | E Minor | 3 | 9A | 93 BPM | ||
| Ketna Janamwa Se | Suresh Wadkar, Usha Mangeshkar | F♯ Minor | 6 | 11A | 170 BPM | ||
| Mil Jate Hai Milne Wale | Sulakshana Pandit | D Major | 5 | 10B | 116 BPM | ||
| Aate Aate Teri Yaad (Sad Version) | S. Janaki | E Minor | 3 | 9A | 131 BPM |