Lata Mangeshkar's ' "Sapna Ban Sajan Aaye" was released on its scheduled release date, January 1, 1951. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Shokhiyan". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Sapna Ban Sajan Aaye is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sapna Ban Sajan Aaye by Lata Mangeshkar having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oh Latloosh | Mehmood, Lata Mangeshkar, R. D. Burman | G Minor | 4 | 6A | 94 BPM | ||
| Tu Mere Paas Hai | Anwar Hussain, Asha Bhosle, Laxmikant–Pyarelal | G Minor | 4 | 6A | 124 BPM | ||
| Vada Na Tera Toote | Jagmohan Sursagar | B♭ Major | 4 | 6B | 92 BPM | ||
| Nazar Milata Kabhi Tujhse | Anuradha Paudwal, Gurcharan | G Major | 5 | 9B | 122 BPM | ||
| Tere Dar Ko Chhod Ke - Ramstuti | Hari Om Sharan | A♭ Minor | 3 | 1A | 115 BPM | ||
| Dheere Dheere Bol Koi Sun Na Le | Mukesh, Lata Mangeshkar, Laxmikant–Pyarelal | D Major | 5 | 10B | 129 BPM | ||
| Aawargi Hamari | Talat Aziz | E Major | 5 | 12B | 105 BPM | ||
| Zara Se Agar Bewafa Ham Na Hote | Lata Mangeshkar, Laxmikant–Pyarelal | D Major | 6 | 10B | 142 BPM | ||
| Ek Taraf Hai Apni Yari | Ashok Khare | E Major | 3 | 12B | 54 BPM | ||
| Tumko Sanam Pukar Ke | Sharda | B♭ Minor | 3 | 3A | 93 BPM | ||
| Jeena Hai Ab Humko Tere Liye | Mohammed Aziz, Anuradha Paudwal | C Minor | 5 | 5A | 87 BPM | ||
| Chanchal Man Teri Chaturai | Kishore Kumar, Kalyanji-Anandji | C Minor | 4 | 5A | 81 BPM | ||
| Ranga Yei Vo Ye (with Commentary) | Prof.Ram Shevalkar, Lata Mangeshkar | G Major | 3 | 9B | 103 BPM | ||
| Bandhu Re Mere Bandhu Re | Gulab Bai, Ishwarlal, Kantilal | A♭ Minor | 2 | 1A | 109 BPM | ||
| Ichak Beechak Ghurr | Shamshad Begum | D♭ Major | 6 | 3B | 52 BPM | ||
| Mere Phoolon Mein Chhipi Hai | Lata Mangeshkar | A Major | 2 | 11B | 102 BPM | ||
| Ek Raja Ek Rani | Mahendra Kapoor, Hemlata, Rekha Rao, Hussain Bloch | A♭ Major | 6 | 4B | 125 BPM | ||
| Bolo Kuch Toh Bolo | Anu Malik, Shabbir Kumar | B Minor | 6 | 10A | 128 BPM | ||
| Rukhse Parda Hata Dijiye | Talat Aziz | E Major | 5 | 12B | 105 BPM | ||
| Main Tangewala | Zeenat Begum, S. D. Batish | E Major | 3 | 12B | 130 BPM | ||
| Aisa Sama Na Hota | R. D. Burman, Lata Mangeshkar | A♭ Minor | 7 | 1A | 86 BPM | ||
| Yeh Raat Bheegi Bheegi (From "Chori Chori") | Manna Dey, Lata Mangeshkar | C Minor | 4 | 5A | 172 BPM | ||
| Gori Ho Gori | Kishore Kumar, R. D. Burman | F Major | 5 | 7B | 126 BPM | ||
| Commentary And Hits Flashes Nos10 And 9 And Interview Nutan | Nutan, Ameen Sayani, Jaidev | D♭ Major | 3 | 3B | 136 BPM | ||
| Sehmi Sehmi Kahan Chali | Mahendra Kapoor | F♯ Minor | 2 | 11A | 131 BPM |