On January 1, 1971, the song "Gori Ho Gori" was released by Kishore Kumar, R. D. Burman. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 6 in the song's album "Pyar Ki Kahani". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Based on our statistics, Gori Ho Gori's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Gori Ho Gori by Kishore Kumar, R. D. Burman having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yeh Sham Mastani Lofi Mix | Jammy Weirdo, Kishore Kumar | F♯ Major | 5 | 2B | 100 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Gun Guna Rahe Hai Bhanvare | Asha Bhosle, Mohammed Rafi, S. D. Burman | B Major | 4 | 1B | 104 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Tu Is Tarah Se - Manhar Udhas | Manhar Udhas | G Major | 3 | 9B | 92 BPM | ||
| Gaata Rahe Mera Dil (From "Guide") | Lata Mangeshkar, Kishore Kumar | G Major | 7 | 9B | 91 BPM | ||
| Chamkte Chand Ko | Ghulam Ali | F Minor | 5 | 4A | 144 BPM | ||
| Tumhein Geeton Mein Dhalonga | Jaspal Singh, Kalyani Mitra | A Major | 6 | 11B | 92 BPM | ||
| Mann Ki Lagan | Rahat Fateh Ali Khan | A Major | 5 | 11B | 148 BPM | ||
| Rahi Tu Ruk Mat Jana | Hemant Kumar | F♯ Minor | 4 | 11A | 51 BPM | ||
| Ae Dil Mujhe Bata De | Geeta Dutt | D Major | 6 | 10B | 87 BPM | ||
| Chhu Kar Mere Manko - From "Yaarana" | Kishore Kumar | G Major | 7 | 9B | 127 BPM | ||
| Aap Jinke Kareeb Hote Hain | Pankaj Udhas | G Major | 4 | 9B | 98 BPM | ||
| Us Mod Se Shuroo Karen | Jagjit Singh, Chitra Singh | E Major | 4 | 12B | 100 BPM | ||
| Commentry Tabassum And Zindagi Pyar Ka Geet Hai | Tabassum, Kishore Kumar, Usha Khanna | F♯ Major | 4 | 2B | 87 BPM | ||
| Rimjhim Gire Sawan | Kishore Kumar | A♭ Major | 7 | 4B | 110 BPM | ||
| Chaudhvin Ka Chand Ho (From "Chaudhvin Ka Chand") | Mohammed Rafi | G Major | 3 | 9B | 98 BPM | ||
| Aakhir Tumhein Aana Hai | Udit Narayan, Sapna Mukherjee | A♭ Major | 6 | 4B | 102 BPM | ||
| Hanste Hanste Kat Jaye Raaste (From "Khoon Bhari Maang") | Nitin Mukesh, Sadhana Sargam | G Minor | 5 | 6A | 105 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Aaj Se Pehle Aaj Se Jyada | K. J. Yesudas | B♭ Minor | 6 | 3A | 89 BPM | ||
| Deewana Dil Deewana | Jatin-Lalit, Amit Kumar, Udit Narayan | D Major | 6 | 10B | 106 BPM | ||
| Tujhse Naraz Nahin Zindagi - Anup Ghoshal | Anup Ghoshal, R. D. Burman | G Major | 4 | 9B | 98 BPM | ||
| Thodisi Jo Pee Lee Hai - Super Jhankar Beats | Hero And King Of Jhankar Studio, Kishore Kumar | A♭ Major | 4 | 4B | 117 BPM | ||
| Tum Haseen Kis Kadar Ho | Mohammed Aziz, Anuradha Paudwal, Laxmikant–Pyarelal | A♭ Major | 8 | 4B | 140 BPM |