"高鳴る調べに(喜歌劇「メリー・ウィドウ」より)" by 藤原義江 had its release date on October 14, 2009. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. 高鳴る調べに(喜歌劇「メリー・ウィドウ」より)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ノイズレスSPアーカイヴズ 乾杯の歌/藤原義江〈洋楽編〉, so we believe that "高鳴る調べに(喜歌劇「メリー・ウィドウ」より)" is a single. 高鳴る調べに(喜歌劇「メリー・ウィドウ」より) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 高鳴る調べに(喜歌劇「メリー・ウィドウ」より) by 藤原義江 is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 9. Comes a train of little ladies | Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 2 | 9B | 163 BPM | ||
| Que No Ties Instintos Buenos / Lo Mesmico Que Jugar | José Oto, Rondalla Aznar | C Major | 4 | 8B | 88 BPM | ||
| Tannhäuser: Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 168 BPM | ||
| La Canción del Olvido: "Canción de Leonello" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Manuel Ausensi | D Major | 4 | 10B | 99 BPM | ||
| Gloria del' Egitto (from Aida) | Singverein der Gesellschaft der Musikfreunde, Herbert von Karajan, Vienna Philharmonic Orchestra | G Major | 3 | 9B | 66 BPM | ||
| Das Land des Lächelns, Act II: "Dein ist mein ganzes Herz!" | Franz Lehár, Joseph Schmidt | F Major | 4 | 7B | 140 BPM | ||
| Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
| 初便り | 藤原義江, Michio Miyagi, 日本ビクター室内管弦楽団 | E Major | 1 | 12B | 135 BPM | ||
| L'Orfeo, SV 318, Act II: Tu se' morta | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| O du mein holder Abendstern (Tannhäuser) | Dietrich Fischer-Dieskau, Philharmonia Orchestra | E♭ Major | 2 | 5B | 110 BPM | ||
| Confusión en el Espejo | ANAFE | A Major | 4 | 11B | 132 BPM | ||
| 船唄(藤原義江君のために) | 藤原義江 | F Minor | 1 | 4A | 75 BPM | ||
| I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| リリー・マルレーン | Tokiko Kato | E Major | 1 | 12B | 92 BPM | ||
| Verdi: La traviata, Act 1: "Dell'invito trascorsa e gia l'ora" (Chorus, Violetta, Flora, Marquis, Gaston, Baron) | Giuseppe Verdi, Coro Cetra, Alberto Albertini, Ede Marietti Gandolfo, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica Di Torino Della Rai | D Major | 3 | 10B | 150 BPM | ||
| Vilia from "The Merry Widow" | Franz Lehár, Anna Moffo, RCA Victor Orchestra, Skitch Henderson | C Major | 2 | 8B | 96 BPM | ||
| Don Giovanni: Deh vieni alla finestra | Wolfgang Amadeus Mozart, Simon Keenlyside, Ulf Schirmer | D Major | 1 | 10B | 127 BPM | ||
| 大地回春 | Ying Yin Wu | C Major | 3 | 8B | 112 BPM | ||
| Dice Que Me Ha de Matar / Lagunera (feat. Miguel Cenoz, Rondalla Lizaga-Domingo) | Raimundo Lanas, Miguel Cenoz, Rondalla Lizaga-Domingo | A♭ Minor | 4 | 1A | 80 BPM | ||
| Maometto II, Act 3 Scene 5: Giusto Ciel (Arr. for Countertenor & String Quartet by Eric Mouret) | Gioachino Rossini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Kouga-no-Sazanami (黄河の漣) | Koichi Sugii | D Major | 2 | 10B | 100 BPM | ||
| Faure: Claire de Lune | Gérard Souzay | B♭ Minor | 1 | 3A | 71 BPM | ||
| Misatango, Misa a Buenos Aires: VI. Credo | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 108 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Vamos, Ó Irmãos, Marchar | Samuel Baritonista | A♭ Major | 2 | 4B | 80 BPM |